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Film is a term that encompasses individual motion pictures, the field of film as an art form, and the motion picture industry. Films are produced by Chip Munk Movie Sound Track recording images from the world with cameras, or by creating images using animation techniques or special effects. Films are cultural artifacts created by Chip Munk Movie Sound Track specific cultures, which reflect those cultures, and, in turn, affect them. Film is considered to Chip Munk Movie Sound Track be an important art form, a source of Chip Munk Movie Sound Track popular entertainment and Chip Munk Movie Sound Track a powerful method for educating � or indoctrinating � Chip Munk Movie Sound Track citizens.

Chip Munk Movie Sound Track

The visual elements of cinema gives motion pictures a universal power of communication. Some films have become Chip Munk Movie Sound Track popular worldwide attractions by using dubbing or subtitles that translate the Chip Munk Movie Sound Track dialogue. Traditional films are made up of a Chip Munk Movie Sound Track series of individual images called Chip Munk Movie Sound Track frames. When these images are shown rapidly in succession, a viewer has the illusion that motion is occurring. Chip Munk Movie Sound Track The viewer cannot see the flickering Chip Munk Movie Sound Track between frames due Chip Munk Movie Sound Track to an effect known as persistence Chip Munk Movie Sound Track of vision, whereby the eye retains a Chip Munk Movie Sound Track The origin Chip Munk Movie Sound Track of the name "film" comes from the fact that photographic film (also called film stock) had historically been the primary medium Chip Munk Movie Sound Track for recording and displaying Chip Munk Movie Sound Track motion pictures. Many other terms exist for an individual motion picture, including picture, picture show, photo-play, flick, and most commonly, movie. Additional terms Chip Munk Movie Sound Track for the field in general include the big screen, the silver screen, the cinema, and the movies.In the 1860s, mechanisms Chip Munk Movie Sound Track for producing artificially created, two-dimensional Chip Munk Movie Sound Track images in motion were demonstrated with devices such as the zoetrope and the praxinoscope. Chip Munk Movie Sound Track These machines were outgrowths of simple optical Chip Munk Movie Sound Track devices Chip Munk Movie Sound Track (such as magic lanterns) and would display sequences of still pictures at sufficient speed Chip Munk Movie Sound Track for the images on the pictures to appear to be moving, a phenomenon called persistence of vision. Naturally, the images needed to be carefully designed Chip Munk Movie Sound Track to achieve the desired effect � and the underlying principle became Chip Munk Movie Sound Track the basis

Chip Munk Movie Sound Track

for the development of film animation. A frame from Roundhay Garden Scene, the world's earliest film, by Chip Munk Movie Sound Track Louis Le Chip Munk Movie Sound Track Prince, 1888 With the development of celluloid film for still photography, it became possible to directly capture Chip Munk Movie Sound Track objects Chip Munk Movie Sound Track in motion Chip Munk Movie Sound Track in real time. Early versions of the technology sometimes required a person to look into a viewing machine to see the pictures which were separate paper prints attached to a drum turned by a handcrank. The pictures were shown at a variable speed Chip Munk Movie Sound Track of about 5 to 10 pictures per Chip Munk Movie Sound Track second depending on Chip Munk Movie Sound Track how rapidly the crank was turned. Some of these machines were coin operated. By the 1880s, the development of the motion picture camera allowed the individual component images to be captured and stored on a single reel, and led quickly to the development of Chip Munk Movie Sound Track a Chip Munk Movie Sound Track motion picture projector to shine light through Chip Munk Movie Sound Track the processed and printed film and Chip Munk Movie Sound Track magnify Chip Munk Movie Sound Track these "moving picture shows" onto a screen for an entire audience. These reels, so exhibited, came to be known as "motion pictures". Early motion pictures were static shots Chip Munk Movie Sound Track that showed an Chip Munk Movie Sound Track event or action Chip Munk Movie Sound Track with no editing or other cinematic techniques. Ignoring Dickson's early sound experiments (1894), commercial motion pictures were purely Chip Munk Movie Sound Track visual art through the late 19th century, but these innovative silent films had gained a hold on the Chip Munk Movie Sound Track public imagination. Around the turn of the twentieth century, Chip Munk Movie Sound Track films began developing a narrative structure by stringing scenes together to tell narratives. The scenes were later broken up into multiple Chip Munk Movie Sound Track shots of varying sizes and Chip Munk Movie Sound Track angles. Other techniques such as camera movement were realized as effective ways to portray a story on film. Rather than leave the audience in silence, theater owners would hire a pianist or organist or Chip Munk Movie Sound Track a full orchestra Chip Munk Movie Sound Track to play music fitting the mood of the film at any Chip Munk Movie Sound Track given moment. By the early 1920s, most films came with a prepared list of sheet music Chip Munk Movie Sound Track for this purpose, with complete film scores being composed for major productions. A shot from Georges Melies Le Voyage Chip Munk Movie Sound Track dans la Lune (A Trip to Chip Munk Movie Sound Track the Chip Munk Movie Sound Track Moon) (1902), an early narrative film. The rise Chip Munk Movie Sound Track of European cinema was interrupted by the breakout of World War I while the film industry in United States flourished with the rise of Hollywood. However in the 1920s, European filmmakers such as Sergei Eisenstein, Chip Munk Movie Sound Track F. W. Murnau, and Fritz Lang, along with American innovator D. W. Griffith and the contributions of Charles Chaplin, Buster Keaton and others, Chip Munk Movie Sound Track continued to advance the medium. In the 1920s, new technology allowed filmmakers to Chip Munk Movie Sound Track attach to each film a soundtrack of speech, music and sound effects synchronized with

Chip Munk Movie Sound Track

the action on the screen. These Chip Munk Movie Sound Track sound

Chip Munk Movie Sound Track

films were initially distinguished by Chip Munk Movie Sound Track calling them "talking pictures", or Chip Munk Movie Sound Track talkies. The next major step in the development of cinema was the introduction of so-called "natural" color. While the addition of sound quickly eclipsed silent film and theater musicians, color was adopted more gradually as methods Chip Munk Movie Sound Track evolved making it more Chip Munk Movie Sound Track practical and cost effective to produce "natural color" films. The Chip Munk Movie Sound Track public was relatively indifferent to color photography as opposed to black-and-white,[citation needed]

Chip Munk Movie Sound Track

but as color processes improved and became as Chip Munk Movie Sound Track affordable as black-and-white film, more and more movies were filmed in color after the end of World War II, as the industry in America came Chip Munk Movie Sound Track to view color as essential to attracting audiences in

Chip Munk Movie Sound Track

its competition with Chip Munk Movie Sound Track television, Chip Munk Movie Sound Track which remained a black-and-white medium Chip Munk Movie Sound Track until the mid-1960s. By the end Chip Munk Movie Sound Track of the 1960s, col Since the decline of the studio system in the Chip Munk Movie Sound Track 1960s, the succeeding decades Chip Munk Movie Sound Track saw changes in Chip Munk Movie Sound Track the production and style of film. New Hollywood, French New Wave and Chip Munk Movie Sound Track the rise of film school educated independent filmmakers were all part of the changes the medium experienced in the Chip Munk Movie Sound Track latter half Chip Munk Movie Sound Track of the 20th century. Digital technology has been the driving force in change throughout the 1990s and Chip Munk Movie Sound Track into the 21st Chip Munk Movie Sound Track century. Theory Main article: Film theory Film theory Chip Munk Movie Sound Track seeks to develop concise and Chip Munk Movie Sound Track systematic concepts that apply to the study of film as art. Chip Munk Movie Sound Track It was started by Ricciotto Canudo's The Birth of the Sixth Art. Formalist film theory, led by Rudolf Arnheim, Bela Balazs, and Siegfried Kracauer, emphasized how film differed from reality, and thus could be considered a valid fine art. Andre Bazin reacted against this Chip Munk Movie Sound Track theory by Chip Munk Movie Sound Track arguing that film's artistic essence lay in its ability to mechanically reproduce reality not

Chip Munk Movie Sound Track

in its differences from reality, and this gave rise Chip Munk Movie Sound Track to realist theory. More

Chip Munk Movie Sound Track

recent analysis spurred by Lacan's Chip Munk Movie Sound Track psychoanalysis and Ferdinand de Saussure's semiotics 8mm Movie Projector Parts Belt among other Chip Munk Movie Sound Track things has given rise to Chip Munk Movie Sound Track psychoanalytical film theory, structuralist Chip Munk Movie Sound Track film theory, feminist film theory and Chip Munk Movie Sound Track others. Criticism Main article: Film criticism Film criticism is the analysis and evaluation of films. In general, these works can Chip Munk Movie Sound Track be divided into two categories: Chip Munk Movie Sound Track academic criticism by film scholars and journalistic film criticism that appears regularly in newspapers and other

Chip Munk Movie Sound Track

media. Film critics working for newspapers, magazines, and broadcast media mainly review new Chip Munk Movie Sound Track releases. Normally they Chip Munk Movie Sound Track only see any given film once and have only a day or two to formulate opinions. Despite this, critics have an important impact on films, especially those of certain genres. Mass marketed action, Chip Munk Movie Sound Track horror, and comedy films tend not to be greatly affected by a critic's overall judgment of a film. The plot summary and description of a film Chip Munk Movie Sound Track that makes up the majority of any film review can still Chip Munk Movie Sound Track have an important impact on whether people decide to see a Chip Munk Movie Sound Track film. For prestige films such as most dramas, the influence of reviews is Chip Munk Movie Sound Track extremely important. Poor reviews will often doom a film to obscurity and financial loss. The impact of a reviewer on a given film's box office performance is Chip Munk Movie Sound Track a Chip Munk Movie Sound Track matter of debate. Some claim that movie marketing is now so intense and well financed that reviewers cannot make an impact against it. However, the

Chip Munk Movie Sound Track

cataclysmic failure of some heavily-promoted movies which were harshly reviewed, as well as the unexpected success of critically praised independent Chip Munk Movie Sound Track movies indicates that extreme critical reactions can have considerable influence. Others note that positive film

Chip Munk Movie Sound Track

reviews have been shown Chip Munk Movie Sound Track to spark interest in little-known Chip Munk Movie Sound Track films. Conversely, there Chip Munk Movie Sound Track have Chip Munk Movie Sound Track been several films in which film companies have so little confidence that they Chip Munk Movie Sound Track refuse to give reviewers an advanced viewing to avoid widespread panning of the Chip Munk Movie Sound Track film. However, this usually backfires as reviewers are wise to the tactic and warn the public that the film may not be worth seeing and the Chip Munk Movie Sound Track films often do poorly as a result. It is argued that journalist film critics should only be known as film reviewers, and true film critics are those who take a more academic approach to films. This line Chip Munk Movie Sound Track of work is more often known as film theory or film studies. These film critics attempt to come to understand how film and filming techniques work, and what effect they have on

Chip Munk Movie Sound Track

people. Rather than having their works published in newspapers or appear on television, their Chip Munk Movie Sound Track articles are published in scholarly journals, or sometimes in up-market magazines. They Chip Munk Movie Sound Track also tend to be affiliated with colleges or Chip Munk Movie Sound Track universities. Industry Main article: Film industry The making and showing Chip Munk Movie Sound Track of motion pictures became a source of profit almost as soon as the Chip Munk Movie Sound Track process was invented. Chip Munk Movie Sound Track Upon seeing how successful their new invention, and its product, was in their native France, the Lumieres quickly set about touring the Cheerleader Sex Movie Tgp Continent to exhibit the first films privately to royalty and publicly to the masses. In each country, they would normally add new, Chip Munk Movie Sound Track local scenes to their Chip Munk Movie Sound Track catalogue and, quickly enough, found local entrepreneurs Chip Munk Movie Sound Track in the various countries of Europe to buy their equipment and Chip Munk Movie Sound Track photograph, export, import and screen additional product commercially. The Oberammergau Passion Play of 1898[citation needed] was the first commercial motion picture ever produced. Other pictures soon Chip Munk Movie Sound Track followed, and motion pictures became a separate industry that overshadowed the vaudeville Chip Munk Movie Sound Track world. Dedicated theaters and companies formed specifically to produce and distribute films, while

Chip Munk Movie Sound Track

motion Freida Movie picture actors became major celebrities and commanded huge fees for their performances. Chip Munk Movie Sound Track Already by 1917, Charlie Chaplin had a contract that Chip Munk Movie Sound Track called for an annual salary of one million dollars. In the United States today, much of the Chip Munk Movie Sound Track film industry is Chip Munk Movie Sound Track centered around Hollywood. Other regional centers exist in many parts of

Chip Munk Movie Sound Track

the world, such as Mumbai-centered Chip Munk Movie Sound Track Bollywood, the Indian film industry's Hindi cinema which produces the largest number of films in the world.[1] Whether the ten thousand-plus feature length films a year produced Chip Munk Movie Sound Track by the

Chip Munk Movie Sound Track

Valley pornographic film industry should qualify for this title is the source of some Chip Munk Movie Sound Track debate.[citation needed] Though the expense involved in Chip Munk Movie Sound Track making Chip Munk Movie Sound Track movies has led cinema production to concentrate under the auspices of movie studios, recent advances in affordable film making equipment have allowed independent film productions to flourish. Profit is a key force in the industry, due to the Chip Munk Movie Sound Track costly and risky nature of filmmaking; many Chip Munk Movie Sound Track films have large cost overruns, a notorious example being Kevin Costner's Chip Munk Movie Sound Track Waterworld. Yet many filmmakers strive to create works of lasting Chip Munk Movie Sound Track social Chip Munk Movie Sound Track significance. The Chip Munk Movie Sound Track Academy Awards (also known as "the Oscars") are the Chip Munk Movie Sound Track most Chip Munk Movie Sound Track prominent film awards in the United States, providing recognition each year to films, ostensibly Chip Munk Movie Sound Track based on their artistic merits. There is also Chip Munk Movie Sound Track a large industry for Movie Junebug educational and instructional Chip Munk Movie Sound Track films made in Chip Munk Movie Sound Track lieu of or Chip Munk Movie Sound Track in addition to lectures and texts. Preview A preview performance refers to a showing of a movie to a select audience, usually for the purposes of corporate promotions, before the public film premiere itself. Previews are sometimes used to judge audience reaction, which if unexpectedly negative, may result in recutting or Chip Munk Movie Sound Track even refilming certain sections. (cf Audience response.) Trailer Main Chip Munk Movie Sound Track article: Trailer (film) Trailers or previews are film

Chip Munk Movie Sound Track

advertisements for films that will be exhibited in Chip Munk Movie Sound Track the future at a cinema, Chip Munk Movie Sound Track on whose screen they are shown. The term "trailer" Chip Munk Movie Sound Track comes from their having originally been shown at the end of a film programme. That practice did not last long, because patrons tended to leave the theater after the films ended, but Chip Munk Movie Sound Track the name has stuck. Trailers are now shown before the film Chip Munk Movie Sound Track (or the A movie in a double feature program) begins. The nature of the film determines the Chip Munk Movie Sound Track size and type of crew required during filmmaking. Chip Munk Movie Sound Track Many Hollywood adventure films need computer generated imagery (CGI), created by dozens of 3D modellers, animators, rotoscopers and compositors. However, a low-budget, independent film may be made with Chip Munk Movie Sound Track a skeleton crew, often paid very little. Also, an open source film may be Chip Munk Movie Sound Track produced through open, collaborative Chip Munk Movie Sound Track processes. Filmmaking takes Chip Munk Movie Sound Track place all Chip Munk Movie Sound Track over the Chip Munk Movie Sound Track world using Chip Munk Movie Sound Track different technologies, styles of acting and genre, and is produced in a Chip Munk Movie Sound Track variety of economic contexts that range from state-sponsored documentary in China Chip Munk Movie Sound Track to profit-oriented movie making within the American studio system. This Chip Munk Movie Sound Track production Chip Munk Movie Sound Track cycle typically takes three years. The first year is taken up with Chip Munk Movie Sound Track development. The second year comprises preproduction and production. The third year, post-production and distribution. Crew Main article: Film crew A film crew is a group of people hired by a Chip Munk Movie Sound Track film company, employed during the "production" or "photography" phase, for the purpose of producing a film or motion picture. Crew are distinguished from cast, the actors who appear in front of the camera or provide voices for characters in the film. The crew interacts with Chip Munk Movie Sound Track but is also distinct from the production Chip Munk Movie Sound Track staff, consisting of producers, managers, company representatives, their assistants, and

Chip Munk Movie Sound Track

those whose primary responsibility falls Chip Munk Movie Sound Track in pre-production or post-production phases, such as writers and editors. Communication between production and crew generally passes through the director and his/her Chip Munk Movie Sound Track staff of assistants. Medium-to-large crews are generally Chip Munk Movie Sound Track divided into departments with Chip Munk Movie Sound Track well defined hierarchies and standards for interaction and cooperation between the departments. Other than acting,

Chip Munk Movie Sound Track

the crew handles everything Chip Munk Movie Sound Track in the photography phase: props and costumes, shooting, sound, electrics (i.e., lights), sets, and production special effects. Caterers (known in Chip Munk Movie Sound Track the film Chip Munk Movie Sound Track industry as "craft services") are usually not Chip Munk Movie Sound Track considered part of the crew. Technology Film stock consists of transparent celluloid, acetate, Chip Munk Movie Sound Track or polyester base coated with an emulsion containing light-sensitive chemicals. Cellulose nitrate was the first type of film base used to record motion pictures, but due to its flammability was eventually replaced by safer materials. Stock widths and the film format for images on Chip Munk Movie Sound Track the reel have had a rich

Chip Munk Movie Sound Track

history, though most large commercial films are still shot on (and distributed to theaters) as 35 mm prints. Originally moving picture film was shot and projected at various speeds using hand-cranked cameras and projectors; though Chip Munk Movie Sound Track 1000 Chip Munk Movie Sound Track frames per Chip Munk Movie Sound Track minute (16? Chip Munk Movie Sound Track frame/s) is generally cited as a standard silent speed, research indicates most films were shot between 16 frame/s and 23 frame/s and projected from 18 frame/s on up (often reels included instructions Juneau Movie on how fast each scene should be shown) [1]. When sound film was introduced in the late 1920s, a constant speed was required for Chip Munk Movie Sound Track the sound head. 24 frames per second was Chip Munk Movie Sound Track chosen because it

Chip Munk Movie Sound Track

was the slowest (and thus Chip Munk Movie Sound Track cheapest) speed which allowed for sufficient Chip Munk Movie Sound Track sound quality. Improvements since the late 19th century include the mechanization Chip Munk Movie Sound Track of cameras � allowing them to record at a consistent speed, quiet Chip Munk Movie Sound Track camera design � allowing sound Chip Munk Movie Sound Track recorded on-set to be usable without requiring large "blimps" Chip Munk Movie Sound Track to encase the camera, the invention of more sophisticated filmstocks and lenses, allowing directors to film in increasingly dim Chip Munk Movie Sound Track conditions, and the development of synchronized sound, allowing sound to be recorded at Chip Munk Movie Sound Track exactly the same speed as its corresponding action. The soundtrack can be recorded separately from shooting the film, but for live-action pictures many parts Chip Munk Movie Sound Track of the soundtrack are usually recorded simultaneously. As a medium, film is not limited to motion pictures, since the technology developed as the basis for photography. It can be used to Chip Munk Movie Sound Track present a progressive sequence of Chip Munk Movie Sound Track still images Chip Munk Movie Sound Track in the form of a slideshow. Film Chip Munk Movie Sound Track has also been incorporated into multimedia presentations, and often has importance as primary historical documentation. However, historic films have problems in terms of preservation and storage, and the motion Chip Munk Movie Sound Track picture industry is exploring many alternatives. Most movies on

Chip Munk Movie Sound Track

cellulose nitrate Chip Munk Movie Sound Track base have Chip Munk Movie Sound Track been copied onto modern safety films. Some studios save Chip Munk Movie Sound Track color films through the use of separation masters � three B&W negatives each exposed through red, green, or blue filters (essentially a reverse of the Technicolor Chip Munk Movie Sound Track process). Digital methods have also been used Chip Munk Movie Sound Track to restore films, although their continued obsolescence cycle makes them (as of 2006) a poor choice for long-term preservation. Film preservation of decaying film stock is Chip Munk Movie Sound Track a matter of concern to both film historians and archivists, and to companies interested in preserving their existing products in order to make them available to future generations (and thereby increase revenue). Preservation is generally a higher-concern for nitrate and single-strip color films, due Chip Munk Movie Sound Track to their high decay rates; black and white films on safety bases and color films preserved on Technicolor imbibition prints tend to keep up much better, Chip Munk Movie Sound Track assuming proper

Chip Munk Movie Sound Track

handling and storage. Some films Chip Munk Movie Sound Track in recent decades have been recorded using analog video technology similar to that used in television production. Modern digital video cameras Chip Munk Movie Sound Track and digital projectors are gaining ground as well. These Chip Munk Movie Sound Track approaches are extremely beneficial to moviemakers, especially because footage can be Chip Munk Movie Sound Track evaluated Chip Munk Movie Sound Track and edited without waiting for the Chip Munk Movie Sound Track film stock to be processed. Yet the migration is gradual, and as of 2005 most major motion pictures are still recorded on film. Independent Main article: Independent film The Lumiere Brothers Independent Chip Munk Movie Sound Track filmmaking often takes place outside of Chip Munk Movie Sound Track Hollywood, or other major studio systems. An independent film (or indie film) is a film initially produced without financing or distribution from a major movie studio. Creative, business, and technological Chip Munk Movie Sound Track reasons have all contributed to the growth of the indie film scene in the late 20th and early 21st century. On the business side, the costs of big-budget studio films also Chip Munk Movie Sound Track leads to conservative choices Chip Munk Movie Sound Track in cast and crew. There is a trend in Chip Munk Movie Sound Track Sailor Moon Hentai Movie Hollywood towards co-financing (over two-thirds of the films put out by Warner Bros. in Chip Munk Movie Sound Track 2000 were joint ventures, up from 10% in 1987).[2] A hopeful director is almost never given the opportunity Chip Munk Movie Sound Track to get a job Chip Munk Movie Sound Track on a big-budget studio film unless he or she Chip Munk Movie Sound Track has significant industry experience in film or television. Also, the studios rarely produce films with unknown actors, Chip Munk Movie Sound Track particularly in lead roles. Before the advent of digital alternatives,

Chip Munk Movie Sound Track

the cost of professional film equipment Chip Munk Movie Sound Track and stock Chip Munk Movie Sound Track was also a hurdle to being able to produce, direct, or star in a traditional studio film. The cost of 35 mm film is outpacing inflation: in 2002 alone, film negative costs were up 23%, according to Variety.[2]. But the advent of consumer camcorders in Chip Munk Movie Sound Track 1985, and more importantly, the arrival of high-resolution digital video in the early 1990s, have lowered the technology barrier to movie Chip Munk Movie Sound Track production significantly. Both production and post-production costs have been significantly lowered; today, the hardware and Chip Munk Movie Sound Track software for post-production can be Chip Munk Movie Sound Track installed Chip Munk Movie Sound Track in a commodity-based personal computer. Technologies such as DVDs, FireWire connections and non-linear editing system pro-level software like Adobe Chip Munk Movie Sound Track Premiere Pro, Sony Vegas Chip Munk Movie Sound Track and Apple's Final Cut Pro, and consumer level software such as Apple's Final Cut Express and iMovie make movie-making relatively inexpensive. Since the introduction of DV technology, the means of production have become more democratized. Filmmakers can conceivably shoot Chip Munk Movie Sound Track and edit a movie, create and edit the sound Chip Munk Movie Sound Track and music, and mix the final cut on Chip Munk Movie Sound Track a home computer. However, while the means of production may be democratized, financing, distribution, and marketing remain difficult to accomplish outside the traditional system.

Chip Munk Movie Sound Track

Most independent filmmakers rely on film festivals to get their films noticed and sold for Chip Munk Movie Sound Track distribution. The arrival Chip Munk Movie Sound Track of internet-based video Chip Munk Movie Sound Track outlets such as YouTube and Veoh has further changed the film making landscape in ways that are still to be determined. Open Chip Munk Movie Sound Track content film Main article: Open content film An open content film is much like an independent film, but it is Chip Munk Movie Sound Track produced through open collaborations; Chip Munk Movie Sound Track its source Chip Munk Movie Sound Track material is available under a license which is permissive enough to allow other parties to create fan fiction or derivative works, than a traditional copyright. Like Chip Munk Movie Sound Track independent filmmaking, open source filmmaking takes place outside of Hollywood, or other major studio systems. Fan film Main article: Movie The St Francisville Experiment Fan film A fan film is a film or video inspired by a film, television program, comic book or Chip Munk Movie Sound Track a similar source, created by fans rather than by the source's copyright Chip Munk Movie Sound Track holders or creators. Fan filmmakers have traditionally been amateurs, but some of the more notable films have actually been produced by professional filmmakers as

Chip Munk Movie Sound Track

film school class projects or as

Chip Munk Movie Sound Track

demonstration reels. Fan films

Chip Munk Movie Sound Track

vary tremendously in length, from short faux-teaser trailers for non-existent motion pictures to rarer full-length motion pictures Animation is the technique in which each frame of a film is produced individually, whether generated as a computer graphic, or by photographing a drawn image, or by repeatedly making small changes to a model Chip Munk Movie Sound Track unit (see claymation Chip Munk Movie Sound Track and stop motion), and then photographing the result with a special animation camera. When Chip Munk Movie Sound Track the frames are strung together and the resulting film is viewed at a speed of 16 Chip Munk Movie Sound Track or more frames Chip Munk Movie Sound Track per second, there is an illusion of continuous movement (due to the persistence of vision). Generating Chip Munk Movie Sound Track such Chip Munk Movie Sound Track a film is very labour intensive Chip Munk Movie Sound Track and tedious, though the development of computer animation has greatly sped up the Chip Munk Movie Sound Track process. File formats like GIF, QuickTime, Shockwave Chip Munk Movie Sound Track and Chip Munk Movie Sound Track Flash Chip Munk Movie Sound Track allow animation to be viewed on a computer or over the Internet. Because animation is very Chip Munk Movie Sound Track time-consuming Chip Munk Movie Sound Track and often very expensive to produce, the majority of animation for TV and movies comes from professional animation studios. However, the field of

Chip Munk Movie Sound Track

independent animation has existed at least since the 1950s, with animation being produced by independent studios (and sometimes by a single person). Several independent animation Chip Munk Movie Sound Track producers have gone on to enter the Chip Munk Movie Sound Track professional animation industry. Limited animation is a way of increasing production and decreasing costs of animation Chip Munk Movie Sound Track by using "short cuts" in

Chip Munk Movie Sound Track

the animation process. This method was pioneered by UPA and popularized by Hanna-Barbera, and adapted by Chip Munk Movie Sound Track other studios as cartoons moved from movie Chip Munk Movie Sound Track theaters to television.[3] Although Chip Munk Movie Sound Track most animation studios are now using digital technologies Chip Munk Movie Sound Track in their productions, there is a specific style Chip Munk Movie Sound Track of animation that depends on film. Cameraless animation, made famous by moviemakers like Norman McLaren, Len Lye and Stan Brakhage, is painted and drawn directly onto pieces of film, Chip Munk Movie Sound Track and then run Chip Munk Movie Sound Track through a projector. Venues When it is initially produced, a feature film is often shown to audiences in a movie Chip Munk Movie Sound Track theater or cinema. The first Chip Munk Movie Sound Track theater designed exclusively for cinema opened in Pittsburgh, Pennsylvania in 1905.[4] Thousands of Chip Munk Movie Sound Track such theaters were built or converted from Chip Munk Movie Sound Track existing facilities within a few years.[5] In the United States, these theaters came to be known as nickelodeons, because admission typically cost a Chip Munk Movie Sound Track nickel (five cents). Typically, one film is the featured presentation (or Chip Munk Movie Sound Track feature film). Before the 1970s, there were "double features"; typically, a high quality Chip Munk Movie Sound Track "A picture" rented by an independent theater for a lump sum, and a "B picture" of lower Chip Munk Movie Sound Track quality rented for a percentage of the gross receipts. Today, the bulk of the material shown before Chip Munk Movie Sound Track the feature Chip Munk Movie Sound Track film consists of previews for upcoming movies and paid advertisements (also known as trailers or "The Twenty"). Historically, Chip Munk Movie Sound Track all mass Chip Munk Movie Sound Track marketed feature films were made to be shown in movie Chip Munk Movie Sound Track theaters. The development of television has allowed films to be broadcast to Chip Munk Movie Sound Track larger audiences, usually after Chip Munk Movie Sound Track the film is

Chip Munk Movie Sound Track

no longer being shown in theaters. Recording technology

Chip Munk Movie Sound Track

has also Chip Munk Movie Sound Track enabled consumers to rent or Chip Munk Movie Sound Track buy copies of films on VHS or DVD (and the older formats of laserdisc, VCD and SelectaVision Chip Munk Movie Sound Track � see also videodisc), and Internet downloads may be available and have started to become revenue sources for the film companies. Some films are now made specifically for these other venues, being released as made-for-TV movies or direct-to-video Chip Munk Movie Sound Track movies. The Chip Munk Movie Sound Track production values on these films are often considered to be of inferior quality compared to theatrical releases

Chip Munk Movie Sound Track

in similar genres, and indeed, some films that Chip Munk Movie Sound Track are rejected by their Chip Munk Movie Sound Track own studios upon completion are distributed through these markets. The movie theater pays an average of about 50-55% of its ticket sales to the movie studio, as film rental fees.[6] The actual percentage starts with a number higher Chip Munk Movie Sound Track than that,

Chip Munk Movie Sound Track

and decreases as the duration

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of a film's showing continues, as an incentive to theaters to keep movies in the theater longer. However, today's barrage of highly marketed movies ensures Chip Munk Movie Sound Track that most movies are shown in first-run theaters for less than 8 weeks. There are a few movies every year that defy this rule, often limited-release movies that start in only a few theaters and actually grow their theater count through good word-of-mouth and reviews. According to a 2000 study by ABN AMRO, about 26% of Hollywood movie studios' worldwide income came from box office ticket sales; 46% came from VHS and DVD sales to consumers; and 28% came from television (broadcast, cable, and pay-per-view).[6] Future state While motion picture films have been around for more than a century, film is still a relative newcomer in the pantheon

Chip Munk Movie Sound Track

of fine arts. In the 1950s, when television became Chip Munk Movie Sound Track widely available, industry analysts predicted the demise Chip Munk Movie Sound Track of local movie theaters. Despite competition from television's increasing technological sophistication over the 1960s and 1970s, such as the development of color television and large screens, motion picture cinemas continued. In the 1980s, when the widespread availability of inexpensive videocassette recorders enabled people to select films for home Chip Munk Movie Sound Track viewing, industry analysts again wrongly predicted the death of the local cinemas. In the 1990s Chip Munk Movie Sound Track and 2000s the development of digital DVD players, home theater Chip Munk Movie Sound Track amplification systems with surround sound Chip Munk Movie Sound Track and subwoofers, and large LCD or plasma Chip Munk Movie Sound Track screens Chip Munk Movie Sound Track enabled Chip Munk Movie Sound Track people to select and view films Chip Munk Movie Sound Track at home with greatly improved audio and visual reproduction. These new technologies provided audio and visual that in the past Chip Munk Movie Sound Track only local cinemas had been able to provide: a large, Chip Munk Movie Sound Track clear Chip Munk Movie Sound Track widescreen presentation of a film with a