Film is a term that encompasses individual motion pictures, the field of film as an art form, Movie Theaters In Atlanta and Movie Theaters In Atlanta the motion picture industry. Films are produced by recording images from the world with cameras, or by creating images using animation Movie Theaters In Atlanta techniques or special Movie Theaters In Atlanta effects.
Films are Movie Theaters In Atlanta cultural artifacts created by specific cultures, Movie Theaters In Atlanta which reflect those cultures, and, in turn, affect them. Film is considered to be an important art form, a source of popular entertainment and a powerful method for educating � or indoctrinating � citizens. The visual Movie Theaters In Atlanta elements of cinema gives motion pictures a universal power of communication. Some films have become popular worldwide Movie Theaters In Atlanta attractions by using dubbing or subtitles that translate Movie Theaters In Atlanta the dialogue.
Traditional films are made up of a series of Movie Theaters In Atlanta individual images called frames. When these images are Movie Theaters In Atlanta shown rapidly Movie Theaters In Atlanta in succession, a viewer has the illusion that motion is occurring. The viewer cannot see the flickering between frames due to Movie Theaters In Atlanta an effect known as persistence of vision, whereby the eye Movie Theaters In Atlanta retains a
The origin of the name "film" comes from the fact that photographic film (also called film stock) had historically been the primary medium for recording and Movie Theaters In Atlanta displaying motion pictures. Movie Theaters In Atlanta Many other terms exist for Movie Theaters In Atlanta an individual motion picture, including picture, picture show, photo-play, flick, and most commonly, movie. Additional terms for the field in general include the big screen, Movie Theaters In Atlanta the silver screen, the cinema, and the movies.In the 1860s, mechanisms for producing artificially created, two-dimensional images in motion Movie Theaters In Atlanta were demonstrated with devices such as the zoetrope and the praxinoscope. Movie Theaters In Atlanta These machines were outgrowths of Movie Theaters In Atlanta simple optical devices (such as magic lanterns) and would display sequences of still Movie Theaters In Atlanta pictures at sufficient speed for the images on the pictures to appear Movie Theaters In Atlanta to be moving, a phenomenon called persistence of vision. Naturally, the images Movie Theaters In Atlanta needed to Movie Theaters In Atlanta be carefully Movie Theaters In Atlanta designed to Movie Theaters In Atlanta achieve the desired effect � and the underlying principle became the basis for the development of film animation.
A frame from Roundhay Garden Scene, the world's earliest film, by Louis Le Prince, 1888
With Movie Theaters In Atlanta the development of celluloid film for still photography, it became Movie Theaters In Atlanta possible to directly capture objects in motion in real time. Early versions of the technology sometimes required a person to look into a viewing machine Movie Theaters In Atlanta to see the pictures which were separate paper prints attached to a drum turned by a handcrank. The pictures were shown at a variable speed Movie Theaters In Atlanta of about 5 to Movie Theaters In Atlanta 10 pictures Movie Theaters In Atlanta per second depending on how rapidly the crank was turned. Some of these machines were coin operated. By the 1880s, the development of the motion picture camera allowed the individual component images to be captured White Noise Movie Trailer and stored on a Movie Theaters In Atlanta single reel, and led quickly to the development of a Movie Theaters In Atlanta motion picture projector to shine light through the processed Movie Theaters In Atlanta and printed film Movie Theaters In Atlanta and magnify these "moving Movie Theaters In Atlanta picture Movie Theaters In Atlanta shows" onto a screen for an entire audience. Movie Theaters In Atlanta These reels, so exhibited, came to be known as "motion pictures". Early motion pictures were static shots that showed an event Movie Theaters In Atlanta or action with no editing or other cinematic techniques.
Ignoring Dickson's early sound experiments (1894), commercial motion pictures were purely visual art through the late 19th century, Movie Theaters In Atlanta but these innovative silent films had gained a hold on the public imagination. Around the turn Movie Theaters In Atlanta of the twentieth century, films began developing a narrative structure by stringing scenes together to tell narratives. The scenes were later broken Movie Theaters In Atlanta up into multiple shots of varying sizes and angles. Other techniques such as camera movement were realized as effective ways to portray a story on film. Rather than leave the audience in silence, theater owners would hire a pianist Movie Theaters In Atlanta or organist or a full orchestra to play music fitting the mood of the film at any given moment. By the early 1920s, Movie Theaters In Atlanta most films came with a prepared list of sheet music for this purpose, with complete film scores being composed for major productions.
A shot from Georges Melies Le Voyage dans la Lune (A Trip to the Moon) (1902), Movie Theaters In Atlanta an early narrative film.
The rise of European Movie Theaters In Atlanta cinema was interrupted by the Movie Theaters In Atlanta breakout Movie Amateur of World War I while the film industry in United States flourished with the rise of Hollywood. However in the 1920s, European filmmakers such as Sergei Eisenstein, F. W. Movie Theaters In Atlanta Murnau, and Fritz Lang, Movie Theaters In Atlanta along with American innovator Movie Theaters In Atlanta D. W. Griffith and the contributions of Charles Chaplin, Buster Keaton and others, continued to advance the medium. In the 1920s, new technology allowed filmmakers Movie Theaters In Atlanta to attach Movie Theaters In Atlanta to each film a soundtrack of speech, music Movie Theaters In Atlanta and sound effects synchronized with the action on the screen. These Movie Theaters In Atlanta sound Movie Theaters In Atlanta films were initially distinguished by calling them "talking pictures", or Movie Theaters In Atlanta talkies.
The next major step in the development of cinema was the introduction of so-called "natural" color. While the addition of sound quickly Movie Theaters In Atlanta eclipsed silent Movie Theaters In Atlanta film and theater musicians, color was adopted more gradually Movie Theaters In Atlanta as methods evolved making it more practical and cost effective to produce "natural color" films. The public was relatively indifferent to color photography as opposed to black-and-white,[citation needed] but as color processes improved and Movie Theaters In Atlanta became as affordable as black-and-white film, more Movie Theaters In Atlanta and more movies were filmed in color after the end of World War II, as the industry in America came to view color as essential to attracting audiences in its competition with television, which remained a black-and-white medium until the mid-1960s. By the end of Movie Theaters In Atlanta the 1960s, col
Since the decline of the studio system in Movie Theaters In Atlanta the 1960s, the succeeding decades saw changes in the production and style of film. New Hollywood, French New Wave and the rise of film school Movie Theaters In Atlanta educated independent filmmakers were all part of the changes the medium experienced in the latter half of the Movie Theaters In Atlanta 20th century. Digital technology Movie Theaters In Atlanta has been the driving force in change throughout the 1990s and into the 21st century.
Theory
Main article: Film theory
Film theory seeks to develop concise and systematic concepts that apply to the study of film as art. It was started by Ricciotto Canudo's The Movie Theaters In Atlanta Birth of the Sixth Art. Formalist film theory, led by Rudolf Arnheim, Bela Balazs, and Siegfried Kracauer, emphasized how film differed from reality, and thus could be considered a valid Movie Theaters In Atlanta fine art. Andre Bazin reacted against this theory by arguing that film's artistic essence lay in its Movie Theaters In Atlanta ability to mechanically reproduce reality not in its differences from Movie Theaters In Atlanta reality, and this gave rise Movie Theaters In Atlanta to realist theory. More recent analysis spurred Movie Theaters In Atlanta by Lacan's psychoanalysis and Ferdinand de Saussure's semiotics among other things has given rise to psychoanalytical film theory, structuralist film theory, feminist film theory and others.
Criticism
Main article: Film criticism
Film criticism is Movie Theaters In Atlanta the analysis and evaluation of films. In general, these works can be Movie Theaters In Atlanta divided Movie Theaters In Atlanta into two categories: academic criticism by film scholars and journalistic film criticism that appears regularly in newspapers and other media.
Film critics working for Movie Theaters In Atlanta newspapers, magazines, and broadcast media mainly review Movie Theaters In Atlanta new releases. Normally they only see any given Movie Theaters In Atlanta film once and Movie Theaters In Atlanta have only a day or two to Movie Theaters In Atlanta formulate opinions. Despite this, critics have an important impact on films, especially those of certain genres. Mass marketed action, Movie Theaters In Atlanta horror, and comedy films Movie Theaters In Atlanta tend not to be greatly affected by a critic's overall judgment of a film. The plot summary and description of a film that makes up the Movie Theaters In Atlanta majority of any film review can still have Movie Theaters In Atlanta an important impact on whether people decide to see a film. For prestige films such as most dramas, Movie Theaters In Atlanta the influence of reviews is extremely important. Poor reviews will often doom a film to obscurity and financial loss.
The impact of a reviewer on a given film's box office performance is a matter of debate. Some Movie Theatres In Moreno Valley claim that movie marketing is now so intense and well financed Movie Theaters In Atlanta that reviewers cannot make an impact against it. Movie Theaters In Atlanta However, the cataclysmic failure of some Movie Theaters In Atlanta heavily-promoted movies which were Movie Theaters In Atlanta harshly reviewed, as well as the unexpected success of Movie Theaters In Atlanta critically praised independent movies indicates that extreme critical reactions can have considerable influence. Others note Movie Theaters In Atlanta that positive film reviews have been Movie Theaters In Atlanta shown to spark interest in little-known Movie Theaters In Atlanta films. Conversely, there Movie Theaters In Atlanta have been several films in which film companies have so little confidence that Movie Theaters In Atlanta they refuse Movie Theaters In Atlanta to give reviewers an advanced viewing to avoid widespread panning of the film. However, this usually backfires as Movie Theaters In Atlanta reviewers are wise to the tactic and warn the public that the film may not be worth seeing and the films often do poorly as a result.
It is argued that journalist film critics should only be known as film reviewers, and true film critics are those who take a more Movie Theaters In Atlanta academic approach to films. This line of work is more often known as film theory or film studies. These film critics attempt to come to understand how film and filming techniques work, and what effect they have on people. Rather than having their works published Movie Theaters In Atlanta in newspapers or appear on television, their articles Movie Therters are published in scholarly journals, or sometimes in up-market magazines. They also tend to be affiliated with colleges or universities.
Industry
Main article: Film industry
The making and Movie Theaters In Atlanta showing of motion pictures became a Movie Theaters In Atlanta source of profit almost as soon as the process Movie Theaters In Atlanta was invented. Upon seeing how successful their new invention, and its product, was in their native France, the Lumieres quickly set about touring the Continent to exhibit the first films privately to royalty and publicly Movie Theaters In Atlanta to the Movie Theaters In Atlanta masses. In each country, they would normally add new, local scenes to Movie Theaters In Atlanta their catalogue Movie Theaters In Atlanta and, quickly enough, found local entrepreneurs in the various countries of Europe to buy their equipment and photograph, export, import and screen additional product commercially. The Movie Theaters In Atlanta Oberammergau Passion Play of 1898[citation needed] was the first commercial motion picture ever Movie Theaters In Atlanta produced. Other pictures soon followed, and motion pictures Movie Theaters In Atlanta became a Movie Theaters In Atlanta separate industry that overshadowed the vaudeville world. Dedicated theaters and Movie Theaters In Atlanta companies formed specifically to produce and distribute Movie Theaters In Atlanta films, while motion picture actors became major Movie Theaters In Atlanta celebrities and commanded huge fees for their performances. Already by 1917, Charlie Chaplin had a contract that called for an annual salary of one Movie Theaters In Atlanta million dollars.
In the Movie Theaters In Atlanta United Movie Theaters In Atlanta States today, much of the Movie Theaters In Atlanta film industry is centered around Hollywood. Other regional centers exist in many parts of Movie Theaters In Atlanta the world, Movie Theaters In Atlanta such as Mumbai-centered Bollywood, the Indian film industry's Hindi Movie Theaters In Atlanta cinema which produces the largest number of films in the Movie Theaters In Atlanta world.[1] Whether Movie Theaters In Atlanta the ten thousand-plus feature length films a year produced by the Valley Movie Theaters In Atlanta pornographic film industry should qualify for this title is the source of some debate.[citation needed] Though the expense involved in making movies has led cinema production to concentrate under the auspices of movie studios, recent advances in affordable film making equipment have Movie Theaters In Atlanta allowed independent film productions to flourish.
Profit is a key force in the industry, due to the costly and Movie Theaters In Atlanta risky nature Movie Theaters In Atlanta of filmmaking; many films have large cost overruns, a notorious example Movie Theaters In Atlanta being Kevin Costner's Waterworld. Yet many filmmakers strive to create works of lasting social significance. The Academy Awards (also Movie Theaters In Atlanta known as "the Oscars") are the Movie Theaters In Atlanta most prominent film awards in the United States, providing recognition each year to films, ostensibly based on their artistic merits.
There is also a large Movie Theaters In Atlanta industry for educational and instructional films made in lieu of or in addition to lectures and texts.
Preview
A Movie Theaters In Atlanta preview performance refers to a showing of a movie to a select audience, usually for the purposes of corporate promotions, before the public film premiere Movie Theaters In Atlanta itself. Previews are sometimes used to judge audience Movie Theaters In Atlanta reaction, which if unexpectedly negative, may result in recutting or even refilming certain sections. (cf Audience response.)
Trailer
Main article: Trailer (film)
Trailers or previews Movie Theaters In Atlanta are film advertisements for films that Movie Theaters In Atlanta will be exhibited Movie Theaters In Atlanta in the future at Movie Theaters In Atlanta a cinema, on whose screen they Movie Theaters In Atlanta are shown. The term "trailer" comes from their having originally been Movie Theaters In Atlanta shown at the end of a film programme. That practice did not last long, because patrons tended to leave the theater after the Movie Theaters In Atlanta films ended, but the name has stuck. Trailers are now shown before the film (or the A movie in Movie Theaters In Atlanta a double feature program) begins.
The nature of the film determines the size and type Movie Theaters In Atlanta of crew required Movie Theaters In Atlanta during filmmaking. Many Hollywood adventure films need computer generated imagery Movie Theaters In Atlanta (CGI), created by dozens of 3D modellers, animators, rotoscopers and compositors. However, a low-budget, independent film Movie Theaters In Atlanta may be made with a skeleton crew, often paid very little. Also, an open source film may be produced through open, collaborative processes. Filmmaking takes place all over the world using different technologies, styles of acting and genre, and is produced in Movie Theaters In Atlanta a variety of economic contexts that range from state-sponsored documentary in China to profit-oriented movie making Movie Theaters In Atlanta within the American studio system.
This Movie Theaters In Atlanta production cycle typically takes three Movie Theaters In Atlanta years. The first year is taken up with development. The second year Movie Supplier comprises preproduction and production. The third year, Movie Theaters In Atlanta post-production and distribution.
Crew
Main article: Film crew
A film crew is a group of people hired by a film company, employed during the Movie Theaters In Atlanta "production" or "photography" phase, for the purpose of producing a film or motion picture. Crew are distinguished from cast, the actors who appear in front of the camera or provide voices for Movie Theaters In Atlanta characters in Movie Theaters In Atlanta the film. The crew interacts with but is also distinct from the production staff, consisting of producers, Movie Theaters In Atlanta managers, company representatives, Movie Theaters In Atlanta their assistants, and those whose primary responsibility falls in pre-production or post-production phases, such as writers and editors. Communication between Movie Theaters In Atlanta production and crew Movie Theaters In Atlanta generally passes Movie Theaters In Atlanta through the director and his/her staff of assistants. Medium-to-large crews are generally divided into departments with well defined Movie Theaters In Atlanta hierarchies and standards for interaction and cooperation between the departments. Other than acting, the crew handles everything in the photography phase: Movie Theaters In Atlanta props Movie Theaters In Atlanta and costumes, shooting, sound, electrics (i.e., lights), sets, and production special effects. Caterers (known in the film industry Movie Theaters In Atlanta as "craft services") are usually not considered Movie Theaters In Atlanta part of the Movie Theaters In Atlanta crew.
Technology
Film stock consists of transparent celluloid, acetate, or polyester Movie Theaters In Atlanta base coated with an emulsion Movie Theaters In Atlanta containing light-sensitive chemicals. Cellulose nitrate was the first Movie Theaters In Atlanta type of film base used to record motion pictures, but due to its flammability was eventually replaced by safer materials. Stock widths and the film Movie Theaters In Atlanta format Movie Theaters In Atlanta for images on the reel have had a rich history, though most large commercial films are still shot on (and distributed to Movie Theaters In Atlanta theaters) as 35 mm prints.
Originally moving picture Movie Theaters In Atlanta film was shot and projected at various speeds using hand-cranked cameras Movie Theaters In Atlanta and projectors; Movie Theaters In Atlanta though 1000 frames per minute (16? frame/s) is generally cited as a standard Movie Theaters In Atlanta silent speed, Movie Theaters In Atlanta research indicates most films were Movie Downloads Win2k shot between 16 frame/s Movie Theaters In Atlanta and 23 frame/s and projected from 18 frame/s on up (often reels included instructions on how fast each scene should be shown) [1]. When sound film was introduced in the late 1920s, a constant speed Movie Theaters In Atlanta was required for the sound head. 24 frames per second was chosen because Movie Theaters In Atlanta it was the slowest (and thus cheapest) speed which allowed for sufficient sound quality. Improvements since the late 19th century include the mechanization of Movie Theaters In Atlanta cameras � allowing them Movie Theaters In Atlanta to record at Movie Theaters In Atlanta a consistent speed, quiet camera design � allowing sound Movie Theaters In Atlanta recorded on-set to be usable without requiring large "blimps" to encase Movie Theaters In Atlanta the camera, the invention of more sophisticated filmstocks and lenses, allowing directors to film in increasingly dim conditions, and the development of synchronized sound, allowing Movie Theaters In Atlanta sound to be recorded at exactly the same speed as its corresponding action. The soundtrack can be Movie Theaters In Atlanta recorded Movie Theaters In Atlanta separately from Movie Theaters In Atlanta shooting Movie Theaters In Atlanta the film, but for live-action pictures many parts of the soundtrack are usually recorded simultaneously.
As a medium, film is not limited to motion pictures, since the Movie Theaters In Atlanta technology developed He Got Game Movie as the basis for photography. It can be used to present a progressive sequence of still Movie Theaters In Atlanta images in the form of a slideshow. Film has also been incorporated into multimedia presentations, and often has importance as primary historical documentation. However, historic Movie Theaters In Atlanta films Movie Theaters In Atlanta have problems in terms of preservation and storage, and the Movie Theaters In Atlanta motion picture industry is exploring many alternatives. Most movies on Movie Theaters In Atlanta cellulose nitrate base have been copied onto modern safety films. Some studios save color films through the use of separation masters � three B&W negatives each exposed through red, green, or blue filters (essentially a reverse of the Technicolor process). Digital methods have also been used to restore films, although their continued obsolescence cycle makes them (as of 2006) Movie Theaters In Atlanta a poor Movie Theaters In Atlanta choice for long-term preservation. Film preservation of decaying film stock is a matter of concern to both film historians Movie Theaters In Atlanta and archivists, and Movie Theaters In Atlanta to companies interested in preserving their Movie Theaters In Atlanta existing Movie Theaters In Atlanta products in order to make them available to future generations Movie Theaters In Atlanta (and thereby increase revenue). Preservation is generally a higher-concern for nitrate and single-strip color films, due to their high decay rates; black and white films on safety bases and color films Movie Theaters In Atlanta preserved Movie Theaters In Atlanta on Technicolor imbibition prints tend to keep up much better, assuming proper handling and storage.
Some films in recent decades have been recorded using analog video technology similar to that used Movie Theaters In Atlanta in television production. Modern digital video cameras and digital projectors are gaining ground as Movie Theaters In Atlanta well. These approaches are extremely beneficial to moviemakers, especially because footage can be evaluated and edited Movie Theaters In Atlanta without waiting for the film Movie Theaters In Atlanta stock to be processed. Yet the migration is gradual, and as of 2005 most major Movie Theaters In Atlanta motion Movie Theaters In Atlanta pictures are still recorded on film.
Independent
Main article: Independent film
The Lumiere Brothers
Independent filmmaking often takes place outside of Hollywood, Movie Theaters In Atlanta or Movie Theaters In Atlanta other major studio systems. An independent film Movie Theaters In Atlanta (or indie film) is Movie Theaters In Atlanta a film initially produced without financing or distribution from a major Movie Theaters In Atlanta movie studio. Creative, business, and technological reasons have all contributed to the growth of the indie film scene in the late Movie Theaters In Atlanta 20th and early 21st century.
On Movie Theaters In Atlanta the business side, the costs of big-budget studio films also leads to conservative choices in cast Movie Theaters In Atlanta and crew. There is a trend in Hollywood towards co-financing (over Movie Theaters In Atlanta two-thirds of the films put out by Movie Theaters In Atlanta Warner Bros. Movie Theaters In Atlanta in 2000 were joint ventures, up from 10% in 1987).[2] A hopeful director is almost never given the opportunity to get a job on a big-budget studio film unless he or she has significant industry experience in film or television. Also, the studios Movie Theaters In Atlanta rarely produce films with unknown actors, particularly in lead Movie Theaters In Atlanta roles.
Before the advent of digital alternatives, the cost of professional film equipment and stock was also a hurdle to being able to produce, direct, or star in a traditional studio film. The cost of 35 mm film is outpacing inflation: in Movie Theaters In Atlanta 2002 alone, film negative costs were up 23%, according to Variety.[2].
But the advent of consumer camcorders in 1985, and more importantly, the arrival of high-resolution digital video Movie Theaters In Atlanta in the early 1990s, have lowered Movie Theaters In Atlanta the technology barrier Movie Theaters In Atlanta to movie production significantly. Both production and post-production costs have been significantly lowered; today, the hardware and software for Movie Theaters In Atlanta post-production can be installed in a commodity-based Movie Theaters In Atlanta personal computer. Technologies such as DVDs, FireWire connections and non-linear editing system pro-level software like Adobe Premiere Pro, Sony Movie Theaters In Atlanta Vegas and Movie Theaters In Atlanta Apple's Final Cut Pro, and consumer level software such as Apple's Final Cut Express and iMovie make Movie Theaters In Atlanta movie-making relatively Movie Theaters In Atlanta inexpensive.
Since the introduction of DV technology, the Movie Theaters In Atlanta means of production Movie Theaters In Atlanta have become more democratized. Filmmakers can conceivably shoot Movie Theaters In Atlanta and edit a movie, Movie Theaters In Atlanta create and edit the sound and music, and mix the final cut on a home computer. However, while the means of production may be democratized, financing, distribution, and marketing remain difficult to Movie Theaters In Atlanta accomplish outside the traditional system. Most independent filmmakers rely on film festivals to get their films noticed and sold for distribution. The arrival of internet-based video outlets such as YouTube and Veoh has Movie Theaters In Atlanta further changed the film making landscape in ways that are still Movie Theaters In Atlanta to be Movie Theaters In Atlanta determined.
Open content film
Main article: Open content film
An open content film is Movie Theaters In Atlanta much like an independent film, but it is produced through open collaborations; Movie Theaters In Atlanta its source Movie Theaters In Atlanta material is available under a license which is permissive enough to allow other parties to create fan Movie Theaters In Atlanta fiction Movie Theaters In Atlanta or derivative works, than a traditional copyright. Like Movie Theaters In Atlanta independent filmmaking, open source filmmaking takes place outside Movie Theaters In Atlanta of Hollywood, or other major studio systems.
Fan film
Main article: Fan film
A fan film Movie Theaters In Atlanta is a film or video inspired by a film, television program, comic book or a similar source, created by fans Movie Theaters In Atlanta rather than by the source's Movie Theaters In Atlanta copyright holders or creators. Fan filmmakers have traditionally been amateurs, Movie Theaters In Atlanta but some of the more notable films have actually been Movie Theaters In Atlanta produced by professional filmmakers as film school class projects or as demonstration reels. Fan films vary Movie Theaters In Atlanta tremendously in length, from short faux-teaser trailers for non-existent motion pictures Movie Theaters In Atlanta to rarer full-length motion pictures
Animation Movie Theaters In Atlanta is the technique in which each frame of a Movie Theaters In Atlanta film is produced individually, whether generated as a computer graphic, or by photographing a Movie Theaters In Atlanta drawn Movie Theaters In Atlanta image, or Movie Theaters In Atlanta by repeatedly Movie Theaters In Atlanta making small changes to a model unit (see claymation Movie Theaters In Atlanta and stop motion), Movie Theaters In Atlanta and then Movie Theaters In Atlanta photographing the result with a special animation camera. When the frames are strung together and the resulting film is viewed at a speed of 16 or more frames per second, there is an illusion of continuous movement (due to the persistence of vision). Generating such a film is very labour intensive and tedious, though the development of computer animation has Movie Theaters In Atlanta greatly sped up the process.
File formats Movie Theatre Turkey Creek Knoxville Tn like GIF, QuickTime, Shockwave and Flash allow animation to be viewed on a computer or over the Movie Theaters In Atlanta Internet.
Because animation is very time-consuming and often very expensive to produce, the majority of animation for TV and movies comes from professional animation studios. However, the field of Movie Theaters In Atlanta independent Movie Theaters In Atlanta animation has Movie Theaters In Atlanta existed at least Movie Theaters In Atlanta since the 1950s, with animation being produced by Movie Theaters In Atlanta independent studios (and sometimes by a single person). Several independent animation Movie Theaters In Atlanta producers have gone on to enter the professional animation industry.
Limited Movie Theaters In Atlanta animation is a way of increasing production and decreasing costs Movie Theaters In Atlanta of animation by using "short cuts" in the Movie Theaters In Atlanta animation process. This method was Movie Theaters In Atlanta pioneered by UPA and popularized by Hanna-Barbera, and adapted by other studios as cartoons moved from Movie Theaters In Atlanta movie theaters to television.[3]
Although most Movie Theaters In Atlanta animation studios are now using digital technologies in their productions, there is a specific style of animation Movie Theaters In Atlanta that depends on film. Cameraless Movie Theaters In Atlanta animation, made famous by moviemakers like Norman McLaren, Len Lye and Stan Brakhage, is painted and drawn Movie Theaters In Atlanta directly onto pieces Movie Theaters In Atlanta of film, and then run Movie Theaters In Atlanta through a Preview For The Movie Juno projector.
Venues
When it is initially produced, a feature film is Movie Theaters In Atlanta often shown to audiences in a movie theater Movie Theaters In Atlanta or cinema. The first theater designed exclusively for cinema opened in Pittsburgh, Pennsylvania in 1905.[4] Thousands of such theaters were Movie Theaters In Atlanta built or converted from existing facilities within a few years.[5] In the United States, these theaters came Movie Theaters In Atlanta to be known as nickelodeons, because admission typically cost a nickel (five cents).
Typically, Movie Theaters In Atlanta one film is the featured presentation (or Movie Theaters In Atlanta feature film). Movie Theaters In Atlanta Before the 1970s, there were "double features"; typically, a high Movie Theaters In Atlanta quality "A picture" rented by an Movie Theaters In Atlanta independent Movie Theaters In Atlanta theater for a lump sum, and a "B picture" of lower quality rented for a percentage of the gross receipts. Today, the bulk of the material shown before the feature film consists of previews for upcoming movies and paid advertisements (also known as Movie Theaters In Atlanta trailers or "The Twenty").
Historically, all Movie Theaters In Atlanta mass marketed Movie Theaters In Atlanta feature films Movie Theaters In Atlanta were made to be shown in movie theaters. The development of television has allowed films to be broadcast to larger audiences, usually after the film is no longer being shown in theaters. Movie Theaters In Atlanta Recording technology has also enabled consumers to rent or buy copies of films on VHS or DVD (and the older formats of laserdisc, Movie Theaters In Atlanta VCD and SelectaVision � see also Movie Theaters In Atlanta videodisc), and Internet downloads may be available and have started to become Movie Theaters In Atlanta revenue sources for the film companies. Some films are now made specifically Movie Theaters In Atlanta for these Movie Theaters In Atlanta other venues, being released as made-for-TV movies or direct-to-video movies. The production values on these Movie Theaters In Atlanta films are often considered to Movie Theaters In Atlanta be of inferior quality compared to theatrical Movie Theaters In Atlanta releases in similar genres, and indeed, some films Movie Theaters In Atlanta that are rejected by their own studios upon completion are distributed through these markets.
The movie theater Movie Theaters In Atlanta pays an average of about 50-55% of Movie Theaters In Atlanta its ticket sales to Movie Theaters In Atlanta the movie studio, as film rental fees.[6] The actual percentage starts with a number Movie Theaters In Atlanta higher than that, and Movie Theaters In Atlanta decreases as the duration of a film's showing continues, as an incentive to theaters to keep movies in the theater Movie Theaters In Atlanta longer. However, today's barrage of highly marketed movies ensures that most movies are shown Movie Theaters In Atlanta in first-run theaters for less than 8 weeks. There are a few movies every year that Movie Theaters In Atlanta defy this rule, often limited-release movies that start in only a few Movie Theaters In Atlanta theaters and actually Movie Theaters In Atlanta grow their theater count through good word-of-mouth and reviews. According to a 2000 study by Movie Theaters In Atlanta ABN AMRO, about 26% of Hollywood movie studios' worldwide income Movie Theaters In Atlanta came from box Movie Theaters In Atlanta office ticket sales; 46% came from VHS and DVD sales to consumers; and Movie Theaters In Atlanta 28% came from television (broadcast, cable, and pay-per-view).[6]
Future state
While motion picture films have been around for Movie Theaters In Atlanta more than a century, film Movie Theaters In Atlanta is still a relative newcomer in the pantheon of fine arts. In the 1950s, when television became Movie Theaters In Atlanta widely available, industry analysts predicted the demise of local movie theaters. Despite competition from television's increasing technological sophistication over the 1960s and 1970s, such as the development of color television and large screens, motion Movie Theaters In Atlanta picture cinemas continued. In the 1980s, when the widespread availability Movie Theaters In Atlanta of inexpensive videocassette recorders enabled people to select films for home viewing, industry Movie Theaters In Atlanta analysts again wrongly predicted the death of the local cinemas.
In the 1990s Movie Theaters In Atlanta and 2000s the development of digital DVD players, Movie Theaters In Atlanta home theater amplification systems with Movie Theaters In Atlanta surround sound and subwoofers, and large LCD or plasma screens enabled people to select and view films at home Movie Theaters In Atlanta with greatly Movie Theaters In Atlanta improved audio and visual reproduction. These new technologies provided Movie Theaters In Atlanta audio and visual that in Movie Theaters In Atlanta the past only local cinemas had been able to provide: a large, clear widescreen Movie Theaters In Atlanta presentation of a film with a full-range, high-quality multi-speaker Movie Theaters In Atlanta sound system. Once again industry analysts predicted the demise of the local cinema. Local Movie Theaters In Atlanta cinemas Movie Theaters In Atlanta will be changing in the Movie Theaters In Atlanta 2000s and moving towards digital screens, |
