Film is Aaa Movie Tickets a term that encompasses individual motion pictures, the field of film as an art form, and the motion picture industry. Films are produced by recording images from the world with cameras, or by creating images using animation techniques or special effects.
Films are Aaa Movie Tickets cultural artifacts created by specific cultures, which Aaa Movie Tickets reflect those cultures, and, in turn, affect them. Film is considered to be an important art form, a source of popular entertainment and a powerful method for educating � or indoctrinating � citizens. The visual elements of cinema gives motion pictures a Aaa Movie Tickets universal power of communication. Some films Aaa Movie Tickets have become popular worldwide attractions by using dubbing or subtitles that translate the dialogue.
Traditional films are made up of a series of individual Aaa Movie Tickets images called frames. When these images are shown rapidly in succession, a viewer has the illusion that motion is occurring. The viewer cannot see the Aaa Movie Tickets flickering between frames due to an effect known as persistence of vision, whereby the eye retains a
The origin of the name "film" comes from the Aaa Movie Tickets fact that photographic film (also called film stock) had historically been the primary medium for recording and displaying motion pictures. Many other terms exist for an individual motion picture, including picture, Aaa Movie Tickets picture show, photo-play, flick, and most commonly, movie. Additional terms for the field in general include the big screen, the Aaa Movie Tickets silver screen, the Aaa Movie Tickets cinema, and the movies.In the 1860s, mechanisms for producing artificially created, two-dimensional images in motion were demonstrated with devices such as the zoetrope and the praxinoscope. These machines were outgrowths of simple optical devices (such as magic lanterns) and would display sequences of still pictures at Windows Movie Maker Animated Movie sufficient speed Aaa Movie Tickets for the images on the pictures to appear to be moving, a phenomenon called persistence of Aaa Movie Tickets vision. Naturally, the images Aaa Movie Tickets needed to be carefully designed to achieve the desired effect � and the underlying principle became Aaa Movie Tickets the basis for the development of Aaa Movie Tickets film animation.
A Aaa Movie Tickets frame from Roundhay Aaa Movie Tickets Garden Aaa Movie Tickets Scene, the world's Aaa Movie Tickets earliest film, by Louis Le Prince, 1888
With the Walkabout Movie development of celluloid film for still photography, it became possible to directly capture objects in motion in real time. Early versions of the technology sometimes required a person to Aaa Movie Tickets look into a viewing machine to see the pictures which were separate paper prints attached to a drum turned by a handcrank. The pictures were shown at a variable speed of about 5 to 10 pictures per second Aaa Movie Tickets depending on how rapidly the Aaa Movie Tickets Sterling Il Movie Theaters crank was turned. Some of these machines were coin operated. By the 1880s, the Aaa Movie Tickets development of the motion picture camera Aaa Movie Tickets allowed the individual component images Aaa Movie Tickets to Aaa Movie Tickets be captured and stored Aaa Movie Tickets on a Aaa Movie Tickets single reel, and led quickly to the development of a motion picture projector to shine light through the processed and Aaa Movie Tickets printed film and magnify these "moving picture shows" onto a screen for Aaa Movie Tickets an entire audience. These reels, so exhibited, Aaa Movie Tickets came to be known as "motion pictures". Early motion pictures were static shots that showed an event or action with no editing or Aaa Movie Tickets other cinematic techniques.
Ignoring Dickson's early sound experiments (1894), commercial motion pictures Aaa Movie Tickets were purely visual art through the late 19th century, but these innovative silent films had gained a hold Aaa Movie Tickets on the public imagination. Around the Aaa Movie Tickets turn of the twentieth century, films began developing a narrative structure by stringing scenes together to tell Aaa Movie Tickets narratives. The scenes were later broken up into multiple shots of varying sizes and angles. Other techniques such as camera movement were realized as effective ways to portray a story on film. Rather Aaa Movie Tickets than leave the audience in silence, theater owners would hire a pianist or organist or a full orchestra to play music fitting the mood of the film at any given moment. By the early 1920s, most Aaa Movie Tickets films came with a Aaa Movie Tickets prepared list Aaa Movie Tickets of sheet music for this purpose, with Aaa Movie Tickets complete film scores being composed for major productions.
A shot from Aaa Movie Tickets Georges Melies Aaa Movie Tickets Le Voyage dans la Lune (A Trip to Aaa Movie Tickets the Moon) (1902), an early narrative film.
The rise of European cinema was interrupted by Aaa Movie Tickets the breakout of World War I while the film industry in United States flourished with the Aaa Movie Tickets rise of Hollywood. However in the 1920s, European filmmakers such as Sergei Eisenstein, F. Aaa Movie Tickets W. Murnau, and Aaa Movie Tickets Fritz Lang, along with American innovator D. W. Griffith and the contributions of Charles Chaplin, Buster Keaton and others, continued to advance the medium. In the 1920s, new Aaa Movie Tickets technology allowed filmmakers Aaa Movie Tickets to attach to each film a soundtrack of speech, music and sound Aaa Movie Tickets effects synchronized with the action on the Aaa Movie Tickets screen. These sound films were initially distinguished by calling them "talking pictures", or talkies.
The next major step in the development of cinema was the introduction of so-called "natural" color. While the addition of sound quickly eclipsed silent film and theater musicians, color was adopted more Aaa Movie Tickets gradually as methods evolved making it more practical and cost effective to produce "natural Aaa Movie Tickets color" films. The Aaa Movie Tickets public Aaa Movie Tickets was relatively indifferent Aaa Movie Tickets to color photography as opposed to black-and-white,[citation needed] but as color processes improved and became as affordable as black-and-white film, more and more movies were filmed Aaa Movie Tickets in color after the end of World Aaa Movie Tickets War II, as the industry in America came to Aaa Movie Tickets view color as essential to attracting audiences in its Loew S Movie Theater competition with Aaa Movie Tickets television, which remained a black-and-white medium until the mid-1960s. By the end of the 1960s, col
Since the decline of the Aaa Movie Tickets studio system in the 1960s, the succeeding decades saw changes in the production and style of film. New Hollywood, French New Wave and the rise of film school Aaa Movie Tickets educated Aaa Movie Tickets independent filmmakers Aaa Movie Tickets were all part of the changes the medium experienced in the Aaa Movie Tickets latter half of the 20th Aaa Movie Tickets century. Digital technology Aaa Movie Tickets has Aaa Movie Tickets been the driving Aaa Movie Tickets force in change throughout the 1990s and into the 21st century.
Theory
Main article: Aaa Movie Tickets Film theory
Film theory seeks Aaa Movie Tickets to develop concise Aaa Movie Tickets and systematic concepts Aaa Movie Tickets that apply to the study of film as art. It was started by Ricciotto Canudo's The Birth of the Sixth Art. Formalist Aaa Movie Tickets film theory, led by Rudolf Arnheim, Bela Balazs, and Siegfried Kracauer, emphasized Aaa Movie Tickets how film differed from reality, and thus could be considered a valid fine art. Andre Bazin reacted against this theory by arguing that film's artistic essence lay in Aaa Movie Tickets its ability to mechanically reproduce reality Aaa Movie Tickets not in its Aaa Movie Tickets differences from reality, and this gave rise to Aaa Movie Tickets realist theory. Aaa Movie Tickets More recent analysis spurred by Lacan's psychoanalysis and Ferdinand de Saussure's semiotics among Aaa Movie Tickets other things has given rise to psychoanalytical film theory, structuralist film theory, feminist film theory and others.
Criticism
Main article: Film criticism
Film criticism is the analysis Aaa Movie Tickets and evaluation of films. Aaa Movie Tickets In Aaa Movie Tickets general, these works can be divided into two categories: academic Aaa Movie Tickets criticism by film scholars Aaa Movie Tickets and journalistic Aaa Movie Tickets film criticism that appears regularly in newspapers Aaa Movie Tickets and other media.
Film Aaa Movie Tickets critics working for newspapers, magazines, and broadcast media mainly review new Aaa Movie Tickets releases. Normally they only see any given film once and have only a day or two to formulate opinions. Despite this, Aaa Movie Tickets critics have an important impact on films, especially those of certain genres. Mass marketed action, horror, and comedy films tend not to Aaa Movie Tickets be Aaa Movie Tickets greatly affected by Aaa Movie Tickets a critic's overall judgment Aaa Movie Tickets of a film. The plot summary and description of a film that makes up the majority of any film review can still have an important impact on whether Aaa Movie Tickets people decide to see a film. Aaa Movie Tickets For prestige films such as most dramas, the influence of reviews Aaa Movie Tickets is extremely Aaa Movie Tickets important. Aaa Movie Tickets Poor reviews will often doom a film to obscurity and financial Aaa Movie Tickets loss.
The impact of a reviewer on a given film's box office performance is a matter of debate. Some claim that movie marketing is Aaa Movie Tickets now so Aaa Movie Tickets intense and well Aaa Movie Tickets financed that reviewers Aaa Movie Tickets cannot make an impact against it. However, the cataclysmic failure of Aaa Movie Tickets some Aaa Movie Tickets heavily-promoted movies which were harshly reviewed, as Aaa Movie Tickets well as the unexpected success of critically praised independent movies indicates that extreme critical reactions can have considerable influence. Others note that positive film reviews have been shown to spark interest in Aaa Movie Tickets little-known films. Conversely, there have been several films in which film companies have so little confidence that they refuse to give reviewers an advanced viewing to avoid widespread panning of the film. Aaa Movie Tickets However, this usually backfires as reviewers are Aaa Movie Tickets wise to the tactic and warn the public that the film may Aaa Movie Tickets not be worth seeing and the films often do poorly as a result.
It is argued that journalist Aaa Movie Tickets film critics should only be Aaa Movie Tickets known as Rialto Movie Theater film reviewers, and true film critics are those who take a more academic approach to films. This line of work is more often known as film theory or Aaa Movie Tickets film studies. These film critics attempt to come to understand how film and filming techniques work, and what effect Aaa Movie Tickets they Aaa Movie Tickets have on people. Rather than having their works published in newspapers or appear on television, their articles are published in scholarly journals, or sometimes in up-market magazines. Aaa Movie Tickets They also tend Aaa Movie Tickets to be affiliated with colleges or universities.
Industry
Main article: Film industry
The Aaa Movie Tickets making and showing of motion pictures Aaa Movie Tickets became a source of profit Aaa Movie Tickets almost as soon as the process was invented. Upon seeing how successful Aaa Movie Tickets their Aaa Movie Tickets new invention, and its product, was in their native France, Aaa Movie Tickets the Lumieres quickly Aaa Movie Tickets set about touring the Continent to exhibit the first films privately to royalty and publicly to the Aaa Movie Tickets masses. In each country, they would normally add new, local scenes to their catalogue and, quickly enough, found local entrepreneurs in the various countries of Europe to buy their equipment and photograph, export, import and screen additional product commercially. The Aaa Movie Tickets Oberammergau Passion Aaa Movie Tickets Play of 1898[citation needed] was Aaa Movie Tickets the first commercial motion picture ever produced. Other pictures soon followed, Aaa Movie Tickets and motion pictures became a separate industry that overshadowed the vaudeville world. Dedicated theaters and companies formed specifically to produce and distribute films, while motion picture actors became Aaa Movie Tickets major celebrities Aaa Movie Tickets and commanded huge fees for their performances. Already by 1917, Charlie Chaplin had a contract that called for an annual Aaa Movie Tickets salary of one million dollars.
In the United States today, much Aaa Movie Tickets of the Aaa Movie Tickets film industry is centered around Hollywood. Other regional centers exist in Aaa Movie Tickets many parts of the Aaa Movie Tickets world, such as Mumbai-centered Bollywood, the Indian film industry's Hindi cinema which produces the largest number of films in Aaa Movie Tickets the world.[1] Whether the ten thousand-plus feature length films a year produced by the Valley pornographic film industry should qualify for this title is the source of some debate.[citation needed] Though Aaa Movie Tickets the expense Aaa Movie Tickets involved in making movies has led cinema Aaa Movie Tickets production Aaa Movie Tickets to concentrate under Aaa Movie Tickets the auspices of movie studios, recent Aaa Movie Tickets advances in affordable film making equipment have allowed independent film productions to flourish.
Profit is a key force in the industry, due to the costly and risky nature of Aaa Movie Tickets filmmaking; many films have large cost overruns, a notorious example being Kevin Costner's Aaa Movie Tickets Waterworld. Yet Aaa Movie Tickets many filmmakers strive to create works of lasting social significance. The Academy Awards (also known as "the Aaa Movie Tickets Oscars") are Aaa Movie Tickets the most prominent film awards in the United States, providing recognition each year to films, ostensibly based on their artistic merits.
There is also a large industry for educational and instructional films made in lieu of Aaa Movie Tickets or in addition to lectures and texts.
Preview
A preview performance refers to Aaa Movie Tickets a showing of a movie to a select audience, usually for the purposes Aaa Movie Tickets of corporate promotions, Aaa Movie Tickets before the public film premiere itself. Previews are Aaa Movie Tickets sometimes used to judge Aaa Movie Tickets audience reaction, which Aaa Movie Tickets if unexpectedly negative, may result in recutting or even refilming certain sections. (cf Audience response.)
Trailer
Main article: Trailer (film)
Trailers or Aaa Movie Tickets previews are film advertisements for films that will be exhibited in the Aaa Movie Tickets future at a cinema, on whose screen they are shown. The Aaa Movie Tickets term "trailer" comes from their Aaa Movie Tickets having originally been shown at the end of a film programme. That practice did not last long, because patrons tended Aaa Movie Tickets to leave the theater after the films ended, but the name has stuck. Trailers are now Aaa Movie Tickets shown before the film Aaa Movie Tickets (or the A movie in a double Aaa Movie Tickets feature program) begins.
The nature of the film determines the size and type of crew required during filmmaking. Many Hollywood adventure films need Aaa Movie Tickets computer generated imagery (CGI), created Aaa Movie Tickets by dozens of 3D modellers, animators, rotoscopers Aaa Movie Tickets and compositors. Aaa Movie Tickets However, a low-budget, independent film Aaa Movie Tickets may be made with a skeleton Aaa Movie Tickets crew, often paid very little. Also, an open Aaa Movie Tickets source film may be produced through open, collaborative Aaa Movie Tickets processes. Filmmaking takes place Aaa Movie Tickets all over the world using Aaa Movie Tickets different technologies, styles of acting and genre, and is produced in a variety of economic contexts that range from state-sponsored documentary in China to profit-oriented movie making within Aaa Movie Tickets the American Aaa Movie Tickets studio system.
This production cycle typically takes three years. The first Aaa Movie Tickets year is taken up with development. The second Aaa Movie Tickets year comprises preproduction and production. The third year, post-production and distribution.
Crew
Main article: Film crew
A film crew is a group of people hired by a film company, Aaa Movie Tickets employed during the "production" or "photography" phase, for the purpose of producing a film or motion Aaa Movie Tickets picture. Crew are distinguished from Aaa Movie Tickets cast, the actors who appear in front of Aaa Movie Tickets the camera or provide voices for characters Aaa Movie Tickets in the Aaa Movie Tickets film. The crew interacts with but is also distinct from Aaa Movie Tickets the production Aaa Movie Tickets staff, consisting of producers, managers, company representatives, their assistants, and those whose primary responsibility falls in pre-production or post-production phases, such as writers and editors. Communication between production and crew generally Aaa Movie Tickets passes through the director and his/her staff of assistants. Aaa Movie Tickets Medium-to-large crews are generally divided into departments with well defined hierarchies and standards for interaction and cooperation between the departments. Other than acting, the crew handles everything in the photography phase: props and Aaa Movie Tickets costumes, shooting, sound, electrics (i.e., lights), Aaa Movie Tickets sets, and Aaa Movie Tickets production special effects. Caterers (known in the film industry as "craft services") Aaa Movie Tickets are usually not considered part of the crew.
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Technology
Film stock consists of transparent celluloid, acetate, or polyester base coated with an emulsion containing light-sensitive chemicals. Cellulose nitrate was the first type of film base used to record motion Aaa Movie Tickets pictures, but due to its flammability Aaa Movie Tickets was eventually replaced by safer materials. Stock widths and the film format Aaa Movie Tickets for images on the reel Aaa Movie Tickets have had a rich history, though most large commercial films are still shot Aaa Movie Tickets on (and distributed to theaters) as 35 mm prints.
Originally moving picture film was shot and projected at various speeds using hand-cranked cameras and projectors; though 1000 frames per minute (16? frame/s) is generally cited as a standard silent speed, research indicates most films were Aaa Movie Tickets shot between 16 frame/s and 23 frame/s and projected from 18 frame/s on up (often reels included instructions on how fast each scene should be shown) [1]. When sound film was introduced in the late 1920s, a constant speed was required for the sound Aaa Movie Tickets head. 24 frames per second was chosen because it was the slowest (and thus cheapest) speed which allowed for Aaa Movie Tickets sufficient Aaa Movie Tickets sound quality. Improvements since the late 19th Aaa Movie Tickets century include the mechanization of cameras � allowing them to record at a consistent speed, quiet camera design � allowing sound recorded on-set to be usable without requiring large "blimps" to encase the camera, the Aaa Movie Tickets invention of more sophisticated filmstocks and lenses, allowing directors to Aaa Movie Tickets film in increasingly dim conditions, and the development of synchronized sound, allowing sound to be recorded at exactly the same speed as its Aaa Movie Tickets corresponding action. The soundtrack can be recorded separately from shooting the film, but for live-action pictures Aaa Movie Tickets many parts of the Aaa Movie Tickets soundtrack are usually recorded simultaneously.
As a medium, film is not limited to motion pictures, since the technology developed as the basis for photography. It can be used to present a progressive sequence of still images in the form of a slideshow. Film has also been incorporated into multimedia presentations, and often has importance as primary historical documentation. However, Aaa Movie Tickets historic Aaa Movie Tickets films have problems in terms of preservation and storage, and Aaa Movie Tickets the motion picture industry is exploring many Aaa Movie Tickets alternatives. Most movies on Aaa Movie Tickets cellulose nitrate base have been copied onto modern safety films. Some studios save color films through the use Aaa Movie Tickets of separation masters � three B&W Aaa Movie Tickets negatives each exposed Aaa Movie Tickets through Aaa Movie Tickets red, green, or Aaa Movie Tickets blue filters (essentially a reverse of the Technicolor process). Aaa Movie Tickets Digital methods have also been used to restore Aaa Movie Tickets films, although their continued obsolescence cycle makes them (as of 2006) a Aaa Movie Tickets poor choice for long-term preservation. Film preservation of decaying film stock is a matter of concern to Aaa Movie Tickets both film historians and archivists, Aaa Movie Tickets and Aaa Movie Tickets to Aaa Movie Tickets companies interested in preserving their existing products in order to make them available to future generations (and thereby increase revenue). Preservation is generally a higher-concern for nitrate and single-strip color films, due to their high decay rates; black and white films on safety bases and color films preserved on Technicolor imbibition prints tend to keep up much better, assuming proper Aaa Movie Tickets handling and storage.
Some films in Aaa Movie Tickets recent decades have been recorded using analog video technology similar to that used in television production. Modern digital Aaa Movie Tickets video cameras and digital projectors are gaining ground as well. These approaches are extremely beneficial to moviemakers, Aaa Movie Tickets especially because footage can be evaluated and edited without waiting for the film stock to be processed. Yet the migration is gradual, and as of 2005 most major motion pictures are still recorded on film.
Independent
Main article: Independent film
The Lumiere Brothers
Independent filmmaking Aaa Movie Tickets often takes place outside Aaa Movie Tickets of Hollywood, or other major Aaa Movie Tickets studio systems. An independent film (or Aaa Movie Tickets indie film) is a film initially produced without financing or distribution from a major movie studio. Creative, business, and technological reasons have Aaa Movie Tickets all contributed to Aaa Movie Tickets the Aaa Movie Tickets growth of the indie film Aaa Movie Tickets scene in the late 20th and early 21st century.
On the business side, the costs Aaa Movie Tickets of big-budget studio films also leads to conservative choices Aaa Movie Tickets in cast and Aaa Movie Tickets crew. There is a trend in Hollywood towards co-financing (over two-thirds of the films Aaa Movie Tickets put out by Warner Bros. in 2000 were joint ventures, up Aaa Movie Tickets from Aaa Movie Tickets 10% in Aaa Movie Tickets 1987).[2] A hopeful director is almost never given Aaa Movie Tickets the opportunity to get a job on Aaa Movie Tickets a big-budget studio film unless he or she has significant industry experience in film or television. Also, the studios rarely produce films with unknown actors, particularly in lead roles.
Before the advent of digital alternatives, the Aaa Movie Tickets cost of professional film equipment and stock was also a hurdle Aaa Movie Tickets to being able to produce, direct, or star in a traditional studio film. The cost of 35 mm Aaa Movie Tickets film Aaa Movie Tickets is outpacing inflation: in 2002 alone, film negative costs were up 23%, according to Aaa Movie Tickets Variety.[2].
But Aaa Movie Tickets the advent of consumer camcorders Aaa Movie Tickets in 1985, Aaa Movie Tickets and more importantly, the arrival of high-resolution digital video in the Aaa Movie Tickets early 1990s, have lowered the technology barrier to movie production significantly. Both production and post-production costs have been significantly lowered; today, the hardware and software for post-production can be installed in a commodity-based Aaa Movie Tickets personal computer. Aaa Movie Tickets Technologies such as DVDs, FireWire connections and non-linear editing system pro-level software like Adobe Premiere Pro, Sony Vegas and Apple's Final Cut Pro, and consumer level software such Aaa Movie Tickets as Apple's Final Aaa Movie Tickets Cut Express and iMovie make movie-making relatively inexpensive.
Since the introduction of DV technology, the means of production have become more democratized. Filmmakers can conceivably shoot and edit a movie, create and edit the sound and music, and mix the final cut on Aaa Movie Tickets a home computer. However, while Aaa Movie Tickets the means of production may be democratized, financing, distribution, and Aaa Movie Tickets marketing remain difficult to accomplish outside the traditional system. Most independent filmmakers rely Aaa Movie Tickets on film festivals to get Aaa Movie Tickets their films noticed Aaa Movie Tickets and sold for distribution. The arrival of internet-based video outlets such as YouTube Aaa Movie Tickets and Veoh has further Aaa Movie Tickets changed the film making landscape in ways that are still to be determined.
Open content film
Main article: Open content film
An open Aaa Movie Tickets content film is much like an independent film, but it is produced through open collaborations; its source material is available under a license which is permissive enough to allow other Aaa Movie Tickets parties to create fan fiction or derivative works, than a traditional copyright. Like independent filmmaking, Aaa Movie Tickets open source filmmaking takes place outside of Hollywood, or other major studio systems.
Fan film
Main article: Fan film
A fan film is a film or video inspired by a film, television program, comic book or a similar source, created by fans rather than by the Aaa Movie Tickets source's copyright holders or creators. Fan filmmakers have traditionally been amateurs, but some of the more notable films have actually been produced by professional filmmakers as Aaa Movie Tickets film school class projects Aaa Movie Tickets or as demonstration reels. Fan films vary tremendously in length, from Aaa Movie Tickets short faux-teaser trailers for non-existent motion pictures to rarer full-length motion pictures
Animation is the technique in which each frame of a film is produced individually, whether generated Aaa Movie Tickets as a computer graphic, or by photographing a drawn image, or Aaa Movie Tickets by repeatedly making Aaa Movie Tickets small changes to a model unit (see claymation and stop motion), and then photographing the result with a special animation camera. When the frames are Aaa Movie Tickets strung together and the resulting film is viewed at Aaa Movie Tickets a speed of 16 or more Aaa Movie Tickets frames per second, there is an illusion of continuous movement (due to the Aaa Movie Tickets persistence of vision). Generating such a film is very labour intensive and tedious, though the development of computer animation has greatly sped up Aaa Movie Tickets the process.
File formats like GIF, QuickTime, Aaa Movie Tickets Shockwave and Flash allow Aaa Movie Tickets animation to be viewed Aaa Movie Tickets on a computer or over the Internet.
Because animation is very time-consuming and often very expensive to produce, the majority of animation for TV and movies comes Aaa Movie Tickets from Aaa Movie Tickets professional animation studios. However, the field of independent animation has existed at least since the 1950s, with animation being produced by independent studios (and sometimes by a single person). Several Aaa Movie Tickets independent animation Aaa Movie Tickets producers have gone on to enter the professional animation industry.
Limited animation is a way of increasing production and decreasing costs of animation by using "short cuts" in the animation process. This method was pioneered by UPA and Aaa Movie Tickets popularized Home Theater Movie Screen by Hanna-Barbera, and adapted by other studios as cartoons moved from movie theaters to television.[3]
Although most animation studios are now using digital Aaa Movie Tickets technologies in their productions, there is a specific style of Aaa Movie Tickets animation that depends on film. Cameraless animation, made famous by moviemakers like Norman McLaren, Len Lye and Stan Brakhage, Aaa Movie Tickets is painted and drawn directly onto pieces Aaa Movie Tickets of Aaa Movie Tickets film, and then run through a projector.
Venues
When it is initially produced, a feature film is Aaa Movie Tickets often shown to audiences in a movie theater or cinema. Aaa Movie Tickets The Aaa Movie Tickets first theater designed exclusively for cinema Aaa Movie Tickets opened in Pittsburgh, Pennsylvania in 1905.[4] Thousands of such theaters were built or converted from existing facilities within a Aaa Movie Tickets few years.[5] In the United States, these theaters Aaa Movie Tickets came to be known as Aaa Movie Tickets nickelodeons, because admission typically cost a nickel (five cents).
Typically, one film is the featured presentation (or feature film). Before the 1970s, there were "double features"; typically, a high Aaa Movie Tickets quality "A picture" Aaa Movie Tickets rented by an independent theater for a lump sum, and a "B picture" of lower quality Aaa Movie Tickets rented for a percentage of the gross receipts. Aaa Movie Tickets Today, the bulk of the material shown before the feature film consists of previews for upcoming movies and paid advertisements (also Aaa Movie Tickets known as trailers or "The Twenty").
Historically, all mass marketed feature films were made to be shown in movie theaters. The development of television has allowed films to be broadcast to larger Aaa Movie Tickets audiences, usually after the film Aaa Movie Tickets is no longer being Aaa Movie Tickets shown in theaters. Recording technology has also enabled consumers to rent or buy copies of Aaa Movie Tickets films on VHS or DVD Aaa Movie Tickets (and the older formats of laserdisc, VCD and SelectaVision � see also Aaa Movie Tickets videodisc), and Internet downloads may be available and have started to become revenue sources for the film companies. Some films are now made specifically for these other venues, being released as made-for-TV movies or direct-to-video movies. The production values on these films are often considered to be of inferior quality compared to theatrical releases Aaa Movie Tickets in similar genres, and indeed, some Aaa Movie Tickets films Aaa Movie Tickets that Aaa Movie Tickets are rejected by their own studios upon completion are distributed through these markets.
The movie theater pays an average of about 50-55% of its ticket sales to the movie studio, as film rental fees.[6] The actual percentage starts with a number higher than that, and Aaa Movie Tickets decreases as the duration of a film's showing continues, as an incentive to theaters to keep movies in the theater longer. However, Aaa Movie Tickets today's barrage of highly marketed Aaa Movie Tickets movies ensures that most movies are shown in first-run theaters for less than 8 weeks. There are a few movies every year that defy this rule, often limited-release movies that start in only a few theaters and actually grow their theater count through good word-of-mouth and reviews. According to a 2000 study Aaa Movie Tickets by ABN AMRO, about 26% of Hollywood movie studios' worldwide income came Aaa Movie Tickets from box office ticket sales; 46% came from Aaa Movie Tickets VHS and DVD sales to consumers; and 28% came from television (broadcast, cable, and pay-per-view).[6]
Future state
While motion picture films have been around Aaa Movie Tickets for more than a century, film Aaa Movie Tickets is still a Aaa Movie Tickets relative newcomer in the pantheon of fine arts. In the 1950s, when television became widely Aaa Movie Tickets available, Aaa Movie Tickets industry analysts predicted the demise of local Aaa Movie Tickets movie Aaa Movie Tickets theaters. Despite competition from television's increasing technological sophistication over the 1960s and 1970s, such Aaa Movie Tickets as the development of color television and large screens, motion picture cinemas continued. In the 1980s, when the widespread availability Aaa Movie Tickets of inexpensive videocassette recorders enabled Aaa Movie Tickets people to select films for Aaa Movie Tickets home viewing, industry analysts again wrongly predicted Aaa Movie Tickets the death of the local cinemas.
In the 1990s and 2000s the development of digital Aaa Movie Tickets DVD players, home theater amplification systems with surround sound and subwoofers, and large LCD or plasma screens enabled people to select and view Aaa Movie Tickets films at home with Aaa Movie Tickets greatly improved audio and visual Aaa Movie Tickets reproduction. Aaa Movie Tickets These new technologies provided audio and visual that Aaa Movie Tickets in the Aaa Movie Tickets past only Aaa Movie Tickets local cinemas had been able to provide: a large, clear widescreen presentation of a film with a full-range, high-quality multi-speaker sound system. Once again industry analysts predicted the demise of the local Aaa Movie Tickets cinema. Aaa Movie Tickets Local cinemas will be changing in the 2000s and moving Aaa Movie Tickets towards digital screens, a new approach Aaa Movie Tickets which will allow for easier and quicker distribution of films (via satellite or hard disks), a development which may give local theaters a reprieve from their predicted Aaa Movie Tickets demise.
The cinema now faces a new challenge from home video by Aaa Movie Tickets the likes of a new DVD format Blu-ray, which can provide full HD 1080p video playback at near cinema quality. Video formats are gradually catching up with the resolutions and Aaa Movie Tickets quality that film offers, 1080p in Blu-ray offers a pixel resolution of 1920?1080 a leap from the DVD offering Aaa Movie Tickets of 720?480 and Aaa Movie Tickets the paltry 330?480 offered by the first home video standard VHS. The maximum resolutions that film currently offers are 2485?2970 or 1420?3390, UHD, a future digital video format, will offer a massive resolution of 7680?4320, surpassing all current film resolutions. The Aaa Movie Tickets only viable competitor to these new innovations is IMAX which can play Aaa Movie Tickets film content at an extreme 10000?7000 resolution.
Despite the rise of all new technologies, the development of Aaa Movie Tickets the home video market and a surge of online Aaa Movie Tickets piracy, 2007 was a record year in film that showed the highest ever box-office grosses. Many expected film to suffer as a result of the effects Aaa Movie Tickets listed above but it has flourished, Aaa Movie Tickets strengthening film studio expectations for the future. |
