Music Appreciation Club
Last edited 24 September 2008
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musical material, or composition, as held in western classical music. Even when music is notated precisely, there are still many decisions that a performer has to make. The process of a performer deciding Music Appreciation Club how to perform music that has been previously composed and notated is termed interpretation. Different performers' interpretations of the same music can vary widely. Composers and song writers who present Music Appreciation Club their own music are interpreting, just as much as those who perform the music of others Music Appreciation Club or folk music. The standard body of choices and techniques present at a given time and a given place is referred to as performance practice, where as interpretation is generally used to mean either individual choices Music Appreciation Club of a performer, or Music Appreciation Club an aspect of music which is not clear, and therefore Music Appreciation Club has Music Appreciation Club a "standard" interpretation. In some musical genres, such as jazz Music Appreciation Club and blues, even more freedom is given to the performer to engage in improvisation on a basic melodic, harmonic, or rhythmic framework. The Music Appreciation Club greatest Music Appreciation Club latitude

Music Appreciation Club

is given to the performer in a style of performing called Music Appreciation Club free improvisation, which is material that is spontaneously "thought of" (imagined) while being performed, not preconceived. According to the analysis Music Appreciation Club of Georgiana Costescu,[citation needed] improvised music usually Country Music Men follows stylistic or genre conventions and even "fully composed" Music Appreciation Club includes some freely chosen material. Composition does not always Music Appreciation Club mean the use Music Appreciation Club of notation, or Music Appreciation Club the known Music Appreciation Club sole authorship Music Appreciation Club of one individual. Music can also Music Appreciation Club be determined by describing a "process" which may create musical sounds; examples of this range from wind chimes, through computer programs which select Music Appreciation Club sounds. Music which contains elements selected by chance is Music Appreciation Club called Aleatoric music, and is associated with such composers as John Cage, Morton Feldman, and Witold Lutoslawski. Musical composition is a term Music Appreciation Club that describes the composition of a piece of music. Methods of composition vary widely from one composer to another, however Music Appreciation Club in analysing music all forms � Music Appreciation Club spontaneous, trained, or untrained � are built from elements comprising a musical piece. Music can be composed for repeated performance or it can be improvised: composed on the spot. The music can be performed entirely from Music Appreciation Club memory, Music Appreciation Club from a written system of musical notation, or some combination of both. Study of composition has traditionally been dominated by examination of methods and practice of Western classical music, Music Appreciation Club but the definition of composition is broad enough to include spontaneously improvised works like those of free jazz performers and Music Appreciation Club African drummers. What Music Appreciation Club is important in understanding the composition of a piece is singling out its elements. An understanding of music's Music Appreciation Club formal elements can be helpful in deciphering exactly how a piece is constructed. A universal element of music is how sounds occur in time, which is referred Music Appreciation Club to as the rhythm of a piece of music.
When a Music Appreciation Club piece appears to have a changing time-feel, it is considered Music Appreciation Club to be in rubato time, an Music Appreciation Club Italian expression that indicates that

Music Appreciation Club

the tempo of the piece changes to Music Appreciation Club suit the expressive Music Appreciation Club intent of the Jackson Music Grand Island performer. Even random placement of random sounds, which occurs in musical montage, occurs within some kind of time, and thus employs time as a musical element. Notation is the Music Appreciation Club written expression Music Appreciation Club of music notes and rhythms Music Appreciation Club on paper using symbols. When music Music Appreciation Club is written down, the pitches and rhythm of the

Music Appreciation Club

music is notated, along with instructions on how to perform the music. The study of Music Appreciation Club how to read notation involves music Music Appreciation Club theory, harmony, the study of performance practice, and in some cases an understanding of historical performance methods. Written notation varies with style and period of music. In Western Art music, the most common types of written notation are scores, which include all the music parts of an ensemble piece, and Music Appreciation Club parts, which

Music Appreciation Club

are the music notation for the individual performers or singers. In popular music, jazz, Music Appreciation Club and Music Appreciation Club blues, the Music Appreciation Club standard musical notation is the lead sheet, which notates the melody, chords, Music Appreciation Club lyrics (if it is a vocal piece), and structure of the music. Scores and parts are also used in popular music

Music Appreciation Club

and jazz, particularly Music Appreciation Club in Music Appreciation Club large ensembles such as jazz "big

Music Appreciation Club

bands." In popular music, guitarists and electric bass players often read music notated in tablature, which indicates the location of Music Appreciation Club the notes to be Music Appreciation Club played on the instrument using a diagram of the guitar or bass Music Appreciation Club fingerboard. Tabulature was also used in the Baroque Music Appreciation Club era to notate music for the Music Appreciation Club lute, a stringed, fretted instrument. Notated music is produced as sheet music. To perform music from notation Music Appreciation Club requires an understanding of both the musical style and the performance practice that is Music Appreciation Club associated with a piece of music or genre. Improvisation is the Music Appreciation Club creation of spontaneous music. Improvisation is often considered an act of instantaneous composition by composers, where compositional techniques are employed with or without preparation. Music theory encompasses Music Appreciation Club the nature and mechanics of music. It often involves identifying patterns that govern composers' techniques. In a more detailed sense, music theory (in Music Appreciation Club the western system) also distills and analyzes the elements of Music Appreciation Club music � rhythm, harmony (harmonic function), melody, Music Appreciation Club structure, and Music Appreciation Club texture. People who study these properties are known as music theorists. The Music Appreciation Club field of music Music Appreciation Club cognition involves the study of many aspects of music including Music Appreciation Club how it is processed by listeners. Rather than accepting Music Appreciation Club the standard practices of analyzing, Music Appreciation Club composing, Music Appreciation Club and performing music as a given, much research in Music Appreciation Club music cognition Music Appreciation Club seeks instead to uncover the mental processes that underlie these practices. Also, research in the field seeks Music Appreciation Club to uncover commonalities between the musical traditions of disparate cultures Music Appreciation Club and possible cognitive "constraints" that limit these musical systems. Questions regarding musical innateness, and emotional responses to music are Music Appreciation Club also major areas of research in the field.
Deaf people can experience music Music Appreciation Club by Music Appreciation Club feeling Music Appreciation Club the vibrations in their body, a process which can be enhanced if the individual holds a resonant, hollow object. A well-known deaf musician is the composer Ludwig van Beethoven, who composed many famous works even Music Appreciation Club after he had Music Appreciation Club completely lost his hearing. Recent examples of Music Appreciation Club deaf musicians include Evelyn Glennie, a highly acclaimed percussionist who has been deaf since age twelve, and Chris Buck, a virtuoso violinist who has lost his hearing. This is relevant because Music Appreciation Club it indicates that music is a deeper cognitive process than unexamined Music Appreciation Club phrases such as, "pleasing to the ear" would Music Appreciation Club suggest. Much research in music cognition seeks to uncover these complex

Music Appreciation Club

mental processes involved in listening to music, which may seem intuitively Music Appreciation Club simple, yet are vastly intricate and complex.The music that composers Music Appreciation Club make can be heard through several media; the Music Appreciation Club most traditional way is to hear Music Appreciation Club it live, in the presence, or as one of the musicians. Live music can also be broadcast over the radio, television or the internet. Music Appreciation Club Some musical styles focus on producing a sound for a performance, while others focus on producing a recording which mixes together sounds which were never played "live". Recording, even of styles which are essentially Music Appreciation Club live, often uses the ability to edit and splice to produce recordings which are considered better Music Appreciation Club than the actual performance. As talking pictures emerged in the early 20th century, with their prerecorded musical tracks, an Music Appreciation Club increasing number of moviehouse orchestra musicians found themselves out of work.[6] During Music Appreciation Club the 1920s live musical performances by orchestras, pianists, and theater organists were common at first-run theaters[7] With the coming of the talking motion pictures, those featured performances were largely eliminated. The AFM took out newspaper advertisements protesting the replacement of live musicians with mechanical playing devices. One 1929

Music Appreciation Club

ad that appeared in the Pittsburgh Press features an image of a can labeled "Canned Music / Big Music Appreciation Club Noise Brand / Guaranteed to Produce No Intellectual or Emotional Reaction Whatever" Since legislation introduced Music Appreciation Club to help protect performers, composers, publishers and producers, including Music Appreciation Club the Audio Home Recording Music Appreciation Club Act of 1992 in the United States, and the 1979 revised Berne Convention for the Protection of Literary and Music Appreciation Club Artistic Works in Music Appreciation Club the United Kingdom, recordings and live performances have also become more accessible through computers, devices and internet in a Music Appreciation Club form that is commonly known as music-on-demand. In many cultures, there is less distinction between performing and listening to music, since virtually everyone is Music Appreciation Club involved in Superman Music Video some sort of musical activity, often communal. Music Appreciation Club In industrialised Music Appreciation Club countries, listening to music through a recorded form, such as sound recording or watching a music video, became Music Appreciation Club more common than experiencing live performance, roughly in the middle of the Music Appreciation Club 20th century.
Sometimes, live performances incorporate prerecorded sounds. For example, Music Appreciation Club a DJ Music Appreciation Club uses disc records Music Appreciation Club for scratching, and some 20th-century works have a solo Music Appreciation Club for an instrument or voice that is performed along with music that is prerecorded onto a tape. Computers and Music Appreciation Club many keyboards can Music Appreciation Club be programmed to produce and play Music Appreciation Club MIDI music. Audiences can also become performers by participating in Karaoke, an activity of Japanese origin Music Appreciation Club which centres around Music Appreciation Club a device that Music Appreciation Club plays voice-eliminated versions of well-known songs. Most karaoke machines also have video screens that show lyrics to songs being performed; performers can follow the Music Appreciation Club lyrics Music Appreciation Club as they sing Music Appreciation Club over the instrumental

Music Appreciation Club

tracks. The advent of the Internet has transformed the experience of music, partly through the increased ease of access to music Music Appreciation Club and the increased choice. Chris Anderson, in his book The Long Tail: Why the future of business is selling less of more, suggests that while the economic model of supply and demand describes Music Appreciation Club scarcity, the Internet retail model is based on abundance. Digital storage costs are low, so a company Music Appreciation Club can afford to make its whole inventory available Music Appreciation Club online, giving customers as much choice as possible. It has thus become economically Music Appreciation Club viable to offer products that very Music Appreciation Club few people are interested Music Appreciation Club in. Consumers' growing awareness of their increased choice results in a closer association between listening tastes and social identity, and the creation of thousands of niche markets. Another effect of the Internet arises with online communities like Youtube and Myspace. Myspace has made Music Appreciation Club social networking with other

Music Appreciation Club

musicians easier, and greatly facilitates the distribution of one's music. Youtube Boston Chamber Music Society also has a large community of both amateur and Music Appreciation Club professional musicians who post videos and comments. Professional musicians also use Youtube as a free publisher of promotional material. Youtube users, for example, no longer only download and listen to mp3s, but also actively create

Music Appreciation Club

their own. According to Tapscott and Williams, there has been a shift from a traditional consumer role to Music Appreciation Club what they call a "prosumer" role, a consumer who both creates and consumes. Music Appreciation Club Manifestations of this in music include the production of mashes, remixes, and Music Appreciation Club music videos by fans.


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