Oscilloscope Music Pitch! Oscilloscope Music Pitch ...

Thu, 25 Sep 2008 03:48:20 +0000

Oscilloscope Music Pitch!

Oscilloscope Music Pitch	Oscilloscope Music Pitch	Oscilloscope Music Pitch
musical material, or composition, as held in western classical music. Even when music is notated precisely, there are still many decisions that a performer Oscilloscope Music Pitch has to make. The process of a performer deciding how to perform music that has Oscilloscope Music Pitch been previously composed and notated is termed interpretation. Different performers' interpretations of the same Oscilloscope Music Pitch music can vary widely. Oscilloscope Music Pitch Composers and Oscilloscope Music Pitch song writers who present their own music are Pocohantas Walt Disney Download Music Song interpreting, just as much as those who perform the music of others or folk music. The standard Oscilloscope Music Pitch body Swing Music The Great Depression of choices and techniques present at a given time Oscilloscope Music Pitch and a Oscilloscope Music Pitch given place is referred to Oscilloscope Music Pitch as Oscilloscope Music Pitch performance practice, where as interpretation is Oscilloscope Music Pitch generally used to mean either individual choices of a performer, or an aspect of music which is not clear, and therefore has a "standard" Oscilloscope Music Pitch interpretation. In some musical genres, such as jazz and blues, even more freedom is given to the performer to engage in Oscilloscope Music Pitch improvisation on a basic melodic, harmonic, or rhythmic framework. The greatest latitude is given to the performer in a Oscilloscope Music Pitch style of performing Oscilloscope Music Pitch called free improvisation, which is material that is spontaneously "thought of" (imagined) while being performed, not preconceived. According Oscilloscope Music Pitch to the analysis of Georgiana Costescu,[citation Oscilloscope Music Pitch needed] improvised music Stu S Music Westminster Md usually Oscilloscope Music Pitch follows stylistic or Oscilloscope Music Pitch genre conventions and even "fully composed" includes some freely chosen material. Composition does not always mean the use of notation, or the known sole authorship of one individual. Music can Oscilloscope Music Pitch also be determined by describing a "process" which may create musical sounds; examples of this range from wind chimes, through computer programs which select sounds. Music which contains elements selected by chance is Oscilloscope Music Pitch called Aleatoric music, and is associated Oscilloscope Music Pitch with such composers as John Cage, Morton Feldman, and Witold Lutoslawski. Musical composition is a term that describes the composition of a piece of music. Methods of composition vary widely from one composer to another, however in analysing music all forms � spontaneous, trained, or untrained � are built from elements comprising a musical piece. Music can be composed for repeated performance or Oscilloscope Music Pitch it Oscilloscope Music Pitch can be improvised: composed Oscilloscope Music Pitch on the spot. The music can be performed entirely from memory, from a written system of musical notation, or some combination of both. Study of composition has traditionally Oscilloscope Music Pitch been dominated by Oscilloscope Music Pitch examination Oscilloscope Music Pitch of methods and practice of Western classical music, but the definition of composition is Music Nick Lowe broad enough to include spontaneously improvised works like Country Music E Mail Lisrt those of free jazz performers and African drummers. What is important in understanding the composition of a piece is singling out its elements. An understanding of music's formal elements Oscilloscope Music Pitch can be helpful in deciphering exactly Oscilloscope Music Pitch how a Oscilloscope Music Pitch piece is constructed. A universal Oscilloscope Music Pitch element of music is how sounds occur in time, which is referred Oscilloscope Music Pitch to as the rhythm of a piece Oscilloscope Music Pitch of music. When a piece appears to have a Karen Wheaton Music Library changing time-feel, Oscilloscope Music Pitch it is considered to be in rubato time, an Italian expression that indicates that the tempo Oscilloscope Music Pitch of the piece changes to suit the expressive intent of the performer. Even random placement of random sounds, Oscilloscope Music Pitch which occurs in musical montage, occurs within some kind of time, and thus employs time as a musical element. Notation is Oscilloscope Music Pitch the written expression of music notes and rhythms on paper using Oscilloscope Music Pitch symbols. When Oscilloscope Music Pitch music is written down, the pitches and Oscilloscope Music Pitch rhythm of the music is notated, along with Oscilloscope Music Pitch instructions on how to perform the music. The study of how to read notation involves Oscilloscope Music Pitch music theory, harmony, the study of performance practice, Oscilloscope Music Pitch and in some cases an understanding of historical performance Oscilloscope Music Pitch methods.	Written notation varies with style and period of music. In Western Art music, Oscilloscope Music Pitch the most common types of Oscilloscope Music Pitch written notation are scores, which include all the music parts of Oscilloscope Music Pitch an ensemble Oscilloscope Music Pitch piece, and parts, which are the music notation for the individual performers or Oscilloscope Music Pitch singers. In popular music, jazz, and blues, the Oscilloscope Music Pitch standard musical notation is the lead sheet, which notates the melody, chords, lyrics (if it is a vocal piece), and structure of the music. Scores and parts are also used in popular music and jazz, particularly in large ensembles such Oscilloscope Music Pitch as Oscilloscope Music Pitch jazz Oscilloscope Music Pitch "big Oscilloscope Music Pitch bands." In popular music, guitarists and electric Oscilloscope Music Pitch bass players often read music notated in tablature, which Oscilloscope Music Pitch indicates the location of the notes to be played on the instrument using Oscilloscope Music Pitch a diagram of Oscilloscope Music Pitch the guitar or bass fingerboard. Tabulature was also used in the Baroque era to notate music for the lute, a stringed, fretted instrument. Notated music is produced as sheet music. To perform music from notation requires an understanding of both the musical style and the performance practice that is associated with a Oscilloscope Music Pitch piece of music or genre. Improvisation is the creation of spontaneous music. Improvisation is often considered an act of instantaneous Oscilloscope Music Pitch composition Oscilloscope Music Pitch by composers, where compositional techniques are employed with or without preparation. Music theory encompasses Oscilloscope Music Pitch the nature and mechanics of Oscilloscope Music Pitch music. It often involves identifying patterns Oscilloscope Music Pitch that govern composers' Oscilloscope Music Pitch techniques. In a more detailed sense, music theory (in the western system) also distills Oscilloscope Music Pitch and analyzes the Oscilloscope Music Pitch elements of music � rhythm, harmony (harmonic function), melody, structure, and texture. People who study these properties are known as music theorists. The field of Oscilloscope Music Pitch music cognition Oscilloscope Music Pitch involves the study of many aspects of Oscilloscope Music Pitch music including how it is processed by listeners. Rather than accepting the standard practices of Oscilloscope Music Pitch analyzing, composing, and performing music as Oscilloscope Music Pitch a given, much Oscilloscope Music Pitch research in music cognition seeks Oscilloscope Music Pitch instead to uncover the mental processes that underlie these practices. Also, research in the field Oscilloscope Music Pitch seeks to uncover commonalities Oscilloscope Music Pitch between the musical traditions of disparate cultures and possible cognitive "constraints" that limit these Music Curriculum Scope And Sequence musical systems. Questions regarding musical innateness, and emotional responses to Oscilloscope Music Pitch music are also major areas of research in the field. Deaf people can experience music by feeling the vibrations in their Oscilloscope Music Pitch body, a process which can be enhanced if the individual Oscilloscope Music Pitch holds a resonant, hollow object. Oscilloscope Music Pitch A well-known deaf musician is the Oscilloscope Music Pitch composer Oscilloscope Music Pitch Ludwig van Beethoven, who composed many famous works even after he had completely lost his hearing. Recent examples of deaf musicians Oscilloscope Music Pitch include Evelyn Oscilloscope Music Pitch Glennie, a highly acclaimed percussionist who has been deaf since age twelve, and Chris Buck, a virtuoso violinist who has lost his hearing. This is relevant because it indicates that music is Oscilloscope Music Pitch a deeper cognitive process than unexamined phrases such as, "pleasing to the ear" would Oscilloscope Music Pitch suggest. Much research in music cognition seeks to uncover Fan Music these complex Oscilloscope Music Pitch mental processes involved in listening to music, which may seem intuitively simple, yet are vastly intricate and complex.The music that composers make can be heard through several media; the most traditional way is to hear it live, in the Oscilloscope Music Pitch presence, or as one of the musicians. Live music can also be broadcast over the radio, television or the internet. Some musical styles focus on Oscilloscope Music Pitch producing a sound for Oscilloscope Music Pitch a performance, while others focus on producing a recording which mixes together sounds which were Oscilloscope Music Pitch never played "live". Recording, even Oscilloscope Music Pitch of styles which are essentially live, often uses the ability to edit and Oscilloscope Music Pitch splice to produce recordings which are considered better than the actual performance.	As talking pictures emerged in the early 20th century, with their prerecorded musical tracks, an increasing number of moviehouse orchestra musicians found themselves Max Allen Music out Christian Festival Music Unity of work.[6] During Oscilloscope Music Pitch the 1920s live musical performances by orchestras, pianists, and theater organists were common at first-run theaters[7] With the coming of the talking motion pictures, those featured performances were largely Oscilloscope Music Pitch eliminated. The AFM took out Oscilloscope Music Pitch newspaper advertisements protesting the replacement Oscilloscope Music Pitch of live musicians Oscilloscope Music Pitch with mechanical playing devices. One 1929 ad that appeared in the Pittsburgh Press features an image Oscilloscope Music Pitch of a can labeled "Canned Oscilloscope Music Pitch Music / Big Noise Brand / Guaranteed to Produce No Intellectual or Emotional Reaction Whatever" Since legislation introduced to help protect performers, composers, publishers Oscilloscope Music Pitch and producers, Oscilloscope Music Pitch including the Audio Home Recording Act of 1992 Oscilloscope Music Pitch in the Oscilloscope Music Pitch United States, and the 1979 revised Berne Convention for the Protection of Literary and Artistic Works in the United Kingdom, recordings and live performances Oscilloscope Music Pitch have also become more accessible through computers, devices and internet Oscilloscope Music Pitch in a form that is commonly known as music-on-demand. In many cultures, there is less distinction between performing and listening to Oscilloscope Music Pitch music, since virtually everyone is Oscilloscope Music Pitch involved in some sort Oscilloscope Music Pitch of musical activity, often Oscilloscope Music Pitch communal. In industrialised countries, listening to music Oscilloscope Music Pitch through a recorded form, such as Oscilloscope Music Pitch sound recording or watching a music video, Oscilloscope Music Pitch became more common Oscilloscope Music Pitch than experiencing live performance, Oscilloscope Music Pitch roughly in Oscilloscope Music Pitch the middle of the 20th century. Sometimes, live performances incorporate prerecorded sounds. For example, a DJ uses disc records for Oscilloscope Music Pitch scratching, and some 20th-century works have a solo for an instrument or voice that is performed along with music that Oscilloscope Music Pitch is prerecorded onto a tape. Computers and many keyboards can be programmed to produce and play MIDI music. Audiences can also Oscilloscope Music Pitch become performers by participating in Karaoke, an activity of Oscilloscope Music Pitch Japanese origin which centres around a Oscilloscope Music Pitch device that plays voice-eliminated versions of well-known songs. Most karaoke Oscilloscope Music Pitch machines also have video screens that show lyrics Oscilloscope Music Pitch to songs being performed; performers can follow the lyrics as they sing over the instrumental tracks. The advent of the Internet Oscilloscope Music Pitch has transformed the experience of music, partly through the increased ease of access to music and the increased choice. Chris Anderson, in Oscilloscope Music Pitch his book The Long Tail: Why the future of business is selling less Oscilloscope Music Pitch of more, suggests that while the economic model of supply and demand describes scarcity, the Internet retail model is based on abundance. Digital storage costs are low, Oscilloscope Music Pitch so a company can afford to make its whole inventory Oscilloscope Music Pitch available online, giving customers as Oscilloscope Music Pitch much choice as possible. It Oscilloscope Music Pitch has Oscilloscope Music Pitch thus become economically viable to offer products that very few people are interested in. Consumers' growing awareness of their increased choice results in a closer association between listening tastes and social identity, and the creation of thousands of niche markets. Another effect of the Internet arises with online communities like Youtube and Myspace. Myspace has made social networking with Oscilloscope Music Pitch other musicians easier, and greatly facilitates the distribution of one's music. Youtube also has a large community of both amateur and professional musicians who post videos and comments. Professional musicians also use Youtube as a free publisher Oscilloscope Music Pitch of promotional Oscilloscope Music Pitch material. Youtube users, for example, no longer only download and Oscilloscope Music Pitch listen to mp3s, Oscilloscope Music Pitch but also actively create their own. According to Tapscott and Williams, there has been a shift from a traditional consumer role to what they call a "prosumer" role, a consumer who both creates and consumes. Manifestations Oscilloscope Music Pitch of this in music include the production of mashes, Oscilloscope Music Pitch remixes, and music videos by fans.

musical material, or composition, as held in western classical music. Even when music is notated precisely, there are still many decisions that a performer Oscilloscope Music Pitch has to make. The process of a performer deciding how to perform music that has Oscilloscope Music Pitch been previously composed and notated is termed interpretation. Different performers' interpretations of the same Oscilloscope Music Pitch music can vary widely. Oscilloscope Music Pitch Composers and Oscilloscope Music Pitch song writers who present their own music are Pocohantas Walt Disney Download Music Song interpreting, just as much as those who perform the music of others or folk music. The standard Oscilloscope Music Pitch body Swing Music The Great Depression of choices and techniques present at a given time Oscilloscope Music Pitch and a Oscilloscope Music Pitch given place is referred to Oscilloscope Music Pitch as

Oscilloscope Music Pitch

performance practice, where as interpretation is

Oscilloscope Music Pitch

generally used to mean either individual choices of a performer, or an aspect of music which is not clear, and therefore has a "standard" Oscilloscope Music Pitch interpretation. In some musical genres, such as jazz and blues, even more freedom is given to the performer to engage in Oscilloscope Music Pitch improvisation on a basic melodic, harmonic, or rhythmic framework. The greatest latitude is given to the performer in a Oscilloscope Music Pitch style of performing Oscilloscope Music Pitch called free improvisation, which is material that is spontaneously "thought of" (imagined) while being performed, not preconceived. According Oscilloscope Music Pitch to the analysis of Georgiana Costescu,[citation Oscilloscope Music Pitch needed] improvised music Stu S Music Westminster Md usually Oscilloscope Music Pitch follows stylistic or Oscilloscope Music Pitch genre conventions and even "fully composed" includes some freely chosen material. Composition does not always mean the use of notation, or the known sole authorship of one individual. Music can Oscilloscope Music Pitch also be determined by describing a "process" which may create musical sounds; examples of this range from wind chimes, through computer programs which select sounds. Music which contains elements selected by chance is Oscilloscope Music Pitch called Aleatoric music, and is associated Oscilloscope Music Pitch with such composers as John Cage, Morton Feldman, and Witold Lutoslawski. Musical composition is a term that describes the composition of a piece of music. Methods of composition vary widely from one composer to another, however in analysing music all forms � spontaneous, trained, or untrained � are built from elements comprising a musical piece. Music can be composed for repeated performance or

Oscilloscope Music Pitch

can be improvised: composed Oscilloscope Music Pitch on the spot. The music can be performed entirely from memory, from a written system of musical notation, or some combination of both. Study of composition has traditionally Oscilloscope Music Pitch been dominated by Oscilloscope Music Pitch examination

Oscilloscope Music Pitch

of methods and practice of Western classical music, but the definition of composition is Music Nick Lowe broad enough to include spontaneously improvised works like Country Music E Mail Lisrt those of free jazz performers and African drummers. What is important in understanding the composition of a piece is singling out its elements. An understanding of music's formal elements Oscilloscope Music Pitch can be helpful in deciphering exactly Oscilloscope Music Pitch how a Oscilloscope Music Pitch piece is constructed. A universal Oscilloscope Music Pitch element of music is how sounds occur in time, which is referred Oscilloscope Music Pitch to as the rhythm of a piece

Oscilloscope Music Pitch

of music. When a piece appears to have a Karen Wheaton Music Library changing time-feel, Oscilloscope Music Pitch it is considered to be in rubato time, an Italian expression that indicates that the tempo Oscilloscope Music Pitch of the piece changes to suit the expressive intent of the performer. Even random placement of random sounds, Oscilloscope Music Pitch which occurs in musical montage, occurs within some kind of time, and thus employs time as a musical element. Notation is Oscilloscope Music Pitch the written expression of music notes and rhythms on paper using Oscilloscope Music Pitch symbols. When Oscilloscope Music Pitch music is written down, the pitches and Oscilloscope Music Pitch rhythm of the music is notated, along with Oscilloscope Music Pitch instructions on how to perform the music. The study of how to read notation involves Oscilloscope Music Pitch music theory, harmony, the study of performance practice, Oscilloscope Music Pitch and in some cases an understanding of historical performance Oscilloscope Music Pitch methods.

Written notation varies with style and period of music. In Western Art music,

Oscilloscope Music Pitch

the most common types of Oscilloscope Music Pitch written notation are scores, which include all the music parts of Oscilloscope Music Pitch an ensemble

Oscilloscope Music Pitch

piece, and parts, which are the music notation for the individual performers or Oscilloscope Music Pitch singers. In popular music, jazz, and blues, the

Oscilloscope Music Pitch

standard musical notation is the lead sheet, which notates the melody, chords, lyrics (if it is a vocal piece), and structure of the music. Scores and parts are also used in popular music and jazz, particularly in large ensembles such

Oscilloscope Music Pitch

as Oscilloscope Music Pitch jazz Oscilloscope Music Pitch "big Oscilloscope Music Pitch bands." In popular music, guitarists and electric Oscilloscope Music Pitch bass players often read music notated in tablature, which Oscilloscope Music Pitch indicates the location of the notes to be played on the instrument using Oscilloscope Music Pitch a diagram of Oscilloscope Music Pitch the guitar or bass fingerboard. Tabulature was also used in the Baroque era to notate music for the lute, a stringed, fretted instrument. Notated music is produced as sheet music. To perform music from notation requires an understanding of both the musical style and the performance practice that is associated with a Oscilloscope Music Pitch piece of music or genre. Improvisation is the creation of spontaneous music. Improvisation is often considered an act of instantaneous Oscilloscope Music Pitch composition

Oscilloscope Music Pitch

by composers, where compositional techniques are employed with or without preparation. Music theory encompasses Oscilloscope Music Pitch the nature and mechanics of Oscilloscope Music Pitch music. It often involves identifying patterns Oscilloscope Music Pitch that govern composers' Oscilloscope Music Pitch techniques. In a more detailed sense, music theory (in the western system) also distills Oscilloscope Music Pitch and analyzes the Oscilloscope Music Pitch elements of music � rhythm, harmony (harmonic function), melody, structure, and texture. People who study these properties are known as music theorists. The field of Oscilloscope Music Pitch music cognition Oscilloscope Music Pitch involves the study of many aspects of Oscilloscope Music Pitch music including how it is processed by listeners. Rather than accepting the standard practices of

Oscilloscope Music Pitch

analyzing, composing, and performing music as Oscilloscope Music Pitch a given, much Oscilloscope Music Pitch research in music cognition seeks Oscilloscope Music Pitch instead to uncover the mental processes that underlie these practices. Also, research in the field Oscilloscope Music Pitch seeks to uncover commonalities Oscilloscope Music Pitch between the musical traditions of disparate cultures and possible cognitive "constraints" that limit these Music Curriculum Scope And Sequence musical systems. Questions regarding musical innateness, and emotional responses to

Oscilloscope Music Pitch

music are also major areas of research in the field. Deaf people can experience music by feeling the vibrations in their Oscilloscope Music Pitch body, a process which can be enhanced if the individual Oscilloscope Music Pitch holds a resonant, hollow object. Oscilloscope Music Pitch A well-known deaf musician is the Oscilloscope Music Pitch composer Oscilloscope Music Pitch Ludwig van Beethoven, who composed many famous works even after he had completely lost his hearing. Recent examples of deaf musicians Oscilloscope Music Pitch include Evelyn Oscilloscope Music Pitch Glennie, a highly acclaimed percussionist who has been deaf since age twelve, and Chris Buck, a virtuoso violinist who has lost his hearing. This is relevant because it indicates that music is

Oscilloscope Music Pitch

a deeper cognitive process than unexamined phrases such as, "pleasing to the ear" would Oscilloscope Music Pitch suggest. Much research in music cognition seeks to uncover Fan Music these complex Oscilloscope Music Pitch mental processes involved in listening to music, which may seem intuitively simple, yet are vastly intricate and complex.The music that composers make can be heard through several media; the most traditional way is to hear it live, in the Oscilloscope Music Pitch presence, or as one of the musicians. Live music can also be broadcast over the radio, television or the internet. Some musical styles focus on Oscilloscope Music Pitch producing a sound for Oscilloscope Music Pitch a performance, while others focus on producing a recording which mixes together sounds which were Oscilloscope Music Pitch never played "live". Recording, even Oscilloscope Music Pitch of styles which are essentially live, often uses the ability to edit and Oscilloscope Music Pitch splice to produce recordings which are considered better than the actual performance.

As talking pictures emerged in the early 20th century, with their prerecorded musical tracks, an increasing number of moviehouse orchestra musicians found themselves Max Allen Music out Christian Festival Music Unity of work.[6] During Oscilloscope Music Pitch the 1920s live musical performances by orchestras, pianists, and theater organists were common at first-run theaters[7] With the coming of the talking motion pictures, those featured performances were largely Oscilloscope Music Pitch eliminated. The AFM took out

Oscilloscope Music Pitch

newspaper advertisements protesting the replacement

Oscilloscope Music Pitch

of live musicians Oscilloscope Music Pitch with mechanical playing devices. One 1929 ad that appeared in the Pittsburgh Press features an image Oscilloscope Music Pitch of a can labeled "Canned Oscilloscope Music Pitch Music / Big Noise Brand / Guaranteed to Produce No Intellectual or Emotional Reaction Whatever" Since legislation introduced to help protect performers, composers, publishers Oscilloscope Music Pitch and producers, Oscilloscope Music Pitch including the Audio Home Recording Act of 1992 Oscilloscope Music Pitch in the Oscilloscope Music Pitch United States, and the 1979 revised Berne Convention for the Protection of Literary and Artistic Works in the United Kingdom, recordings and live performances Oscilloscope Music Pitch have also become more accessible through computers, devices and internet Oscilloscope Music Pitch in a form that is commonly known as music-on-demand. In many cultures, there is less distinction between performing and listening to Oscilloscope Music Pitch music, since virtually everyone is Oscilloscope Music Pitch involved in some sort Oscilloscope Music Pitch of musical activity, often Oscilloscope Music Pitch communal. In industrialised countries, listening to music Oscilloscope Music Pitch through a recorded form, such as Oscilloscope Music Pitch sound recording or watching a music video, Oscilloscope Music Pitch became more common Oscilloscope Music Pitch than experiencing live performance, Oscilloscope Music Pitch roughly in Oscilloscope Music Pitch the middle of the 20th century. Sometimes, live performances incorporate prerecorded sounds. For example, a DJ uses disc records for Oscilloscope Music Pitch scratching, and some 20th-century works have a solo for an instrument or voice that is performed along with music that Oscilloscope Music Pitch is prerecorded onto a tape. Computers and many keyboards can be programmed to produce and play MIDI music. Audiences can also Oscilloscope Music Pitch become performers by participating in Karaoke, an activity of Oscilloscope Music Pitch Japanese origin which centres around a Oscilloscope Music Pitch device that plays voice-eliminated versions of well-known songs. Most karaoke

Oscilloscope Music Pitch

machines also have video screens that show lyrics Oscilloscope Music Pitch to songs being performed; performers can follow the lyrics as they sing over the instrumental tracks. The advent of the Internet Oscilloscope Music Pitch has transformed the experience of music, partly through the increased ease of access to music and the increased choice. Chris Anderson, in

Oscilloscope Music Pitch

his book The Long Tail: Why the future of business is selling less Oscilloscope Music Pitch of more, suggests that while the economic model of supply and demand describes scarcity, the Internet retail model is based on abundance. Digital storage costs are low,

Oscilloscope Music Pitch

so a company can afford to make its whole inventory Oscilloscope Music Pitch available online, giving customers as Oscilloscope Music Pitch much choice as possible. It Oscilloscope Music Pitch has Oscilloscope Music Pitch thus become economically viable to offer products that very few people are interested in. Consumers' growing awareness of their increased choice results in a closer association between listening tastes and social identity, and the creation of thousands of niche markets. Another effect of the Internet arises with online communities like Youtube and Myspace. Myspace has made social networking with

Oscilloscope Music Pitch

other musicians easier, and greatly facilitates the distribution of one's music. Youtube also has a large community of both amateur and professional musicians who post videos and comments. Professional musicians also use Youtube as a free publisher Oscilloscope Music Pitch of promotional Oscilloscope Music Pitch material. Youtube users, for example, no longer only download and

Oscilloscope Music Pitch

listen to mp3s, Oscilloscope Music Pitch but also actively create their own. According to Tapscott and Williams, there has been a shift from a traditional consumer role to what they call a "prosumer" role, a consumer who both creates and consumes. Manifestations Oscilloscope Music Pitch of this in music include the production of mashes, Oscilloscope Music Pitch remixes, and music videos by fans.