<?xml version='1.0' encoding='UTF-8'?><rss xmlns:atom='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearch/1.1/' version='2.0'><channel><atom:id>http://www.google.com/notebook/feeds/01383874927958102236/notebooks/BDQG0SwoQrN74o8oj</atom:id><lastBuildDate>Sat, 27 Sep 2008 15:47:28 +0000</lastBuildDate><title>Music Picks</title><description/><link>http://www.google.com/notebook/public/01383874927958102236/BDQG0SwoQrN74o8oj</link><managingEditor></managingEditor><generator>Google Notebook</generator><openSearch:totalResults>1</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>10</openSearch:itemsPerPage><item><guid isPermaLink='false'>http://www.google.com/notebook/feeds/01383874927958102236/notebooks/BDQG0SwoQrN74o8oj/NDQJ-SgoQjPX4o8oj</guid><pubDate>Sat, 27 Sep 2008 15:47:28 +0000</pubDate><atom:updated>2008-09-27T15:47:28.026Z</atom:updated><category domain='http://schemas.google.com/notebook/gdata/2007/section'>SDQG0SwoQrd74o8oj</category><title>Music Picks! 
 
 
 
  
  
  Music Picks 
  
  
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&lt;p style="text-align:center"&gt;&lt;font size="5"&gt;&lt;strong&gt;Music Picks!&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;
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&lt;p align="center" style="text-align:center"&gt;&lt;span style="clear:both;text-align:center"&gt;&lt;img src="http://www.google.com/base_media?hl=en&amp;amp;fact=12e&amp;amp;size=3&amp;amp;q=http%3A%2F%2Fbestfinder-three.info%2Fimages%2Falls.jpg%3Fdisplay%3Dthumb%26width%3D100%26height%3D100&amp;amp;dhm=b60281dc"&gt;&lt;/span&gt;&lt;/p&gt;
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  &lt;a href="http://bestfinder-three.info/Music%20Picks"&gt;&lt;font size="6"&gt;Music Picks&lt;/font&gt;&lt;/a&gt;&lt;/p&gt;
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&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;table bgcolor="#009999" width="71%" cellspacing="1" cellpadding="2" border="0"&gt;&lt;tr&gt;&lt;td&gt;musical material, or composition, as Music Picks held in western classical music. Even when music is notated precisely, there are still many decisions that Music Picks a &lt;u&gt;Music Picks&lt;/u&gt; performer has to make. The process of a performer deciding how to perform music that has been previously composed Music Picks and notated is termed Music Picks interpretation.
Different performers&amp;#39; interpretations of the same music can vary widely. Composers and song writers who present their own music &lt;a href="http://www.google.com.au/notebook/public/01383874927958102236/BDQcjSgoQvdLto8oj"&gt;Unauthorized Music Downloading&lt;/a&gt; are interpreting, &lt;h2&gt;Music Picks&lt;/h2&gt; just as much as those who perform the music of others or Music Picks folk music. The standard body of choices and techniques present at a given time and a given place is referred to as performance practice, where as interpretation is generally used to mean either individual choices of a performer, or an aspect of music which is not clear, and therefore has a &amp;quot;standard&amp;quot; interpretation.
In some musical genres, such as jazz and blues, even more freedom is given to the Music Picks performer to Music Picks engage in improvisation on a &lt;u&gt;Music Picks&lt;/u&gt; basic melodic, harmonic, or rhythmic framework. The greatest latitude is &lt;b&gt;Music Picks&lt;/b&gt; given to Music Picks the performer in a style of performing called free improvisation, which is material that is spontaneously &amp;quot;thought of&amp;quot; (imagined) while being performed, not Music Picks preconceived. According &lt;a href="http://www.google.com.au/notebook/public/01383874927958102236/BDR-CSgoQkqXuo8oj"&gt;Music Video Directors&lt;/a&gt; to the analysis of Georgiana &lt;b&gt;Music Picks&lt;/b&gt; Costescu,[citation needed] improvised music usually follows stylistic or genre conventions and even &amp;quot;fully &lt;a href="http://www.google.com.au/notebook/public/01383874927958102236/BDQJ1SgoQj4Tvo8oj"&gt;Doctor Music Karaoke Htm&lt;/a&gt; composed&amp;quot; includes some freely chosen material. Composition does not always mean the use of notation, Music Picks or the known sole authorship of one individual.
Music can also be determined by describing a &amp;quot;process&amp;quot; which may create musical sounds; examples of this range from wind chimes, through computer programs which Music Picks select sounds. &lt;u&gt;Music Picks&lt;/u&gt; Music which contains elements selected Music Picks by &lt;i&gt;Music Picks&lt;/i&gt; chance is &lt;u&gt;Music Picks&lt;/u&gt; called Aleatoric music, and is &lt;h2&gt;Music Picks&lt;/h2&gt; associated with &lt;b&gt;Music Picks&lt;/b&gt; such composers as John Music Picks Cage, Morton Feldman, and Witold Lutoslawski.
Musical composition is a term that describes the composition of a piece of music. Methods of composition vary widely from one Music Picks composer to another, however in analysing music all forms � Music Picks spontaneous, trained, &lt;u&gt;Music Picks&lt;/u&gt; or Music Picks untrained Music Picks � are built from elements comprising a musical piece. Music can be composed for repeated performance or it can be improvised: composed on the spot. The music can be performed entirely from memory, from a written system of musical notation, or some combination of both. Study of composition has traditionally been dominated Music Picks by examination of methods and practice of Western classical music, but the definition of composition is &lt;a href="http://www.google.com.au/notebook/public/01383874927958102236/BDQcjSgoQ7YLwo8oj"&gt;Celtic Women Music&lt;/a&gt; broad enough to include spontaneously improvised works like those of free jazz performers and African drummers.
What is important in understanding the composition of a piece is singling out its elements. An understanding of music&amp;#39;s formal elements can be helpful in deciphering Music Picks exactly how a piece is constructed. A universal element of music is how sounds occur in time, which is referred to as &lt;a href="http://www.google.com.au/notebook/public/01383874927958102236/BDR-CSgoQ2sTwo8oj"&gt;Chicken Dance Music Video&lt;/a&gt; the rhythm of a piece of music.&lt;/td&gt;
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When a piece appears to have a changing time-feel, it is Music Picks considered to be in rubato time, &lt;u&gt;Music Picks&lt;/u&gt; an Italian expression that indicates Music Picks that the tempo of the piece changes to suit the expressive intent of the performer. Even random &lt;a href="http://www.google.com.au/notebook/public/01383874927958102236/BDQVnSwoQ-cPxo8oj"&gt;Music By Nickel Creek&lt;/a&gt; placement of random sounds, which occurs in musical montage, occurs within some kind of time, and thus employs time as a musical element.
Notation is the written expression &lt;a href="http://www.google.com.au/notebook/public/01383874927958102236/BDR-CSgoQ25Tyo8oj"&gt;Traditional Circus Music&lt;/a&gt; of music notes and rhythms on paper using symbols. When music is written down, the pitches and rhythm of the music is notated, along with instructions on how to perform the music. The study of Music Picks how to read notation involves music theory, harmony, the study of performance Music Picks practice, and in some &lt;u&gt;Music Picks&lt;/u&gt; cases an understanding of historical performance methods.
Written notation varies with style and &lt;h2&gt;Music Picks&lt;/h2&gt; period Music Picks of music. In Western Art music, the &lt;b&gt;Music Picks&lt;/b&gt; most common types of written notation are scores, &lt;u&gt;Music Picks&lt;/u&gt; which include all &lt;u&gt;Music Picks&lt;/u&gt; the music parts of an ensemble piece, and parts, which are &lt;i&gt;Music Picks&lt;/i&gt; the Music Picks music notation for the individual performers or singers. In popular music, jazz, and blues, the standard musical notation is the lead sheet, which &lt;i&gt;Music Picks&lt;/i&gt; notates the melody, chords, lyrics (if it is a vocal piece), and structure of the Music Picks music. Scores Music Picks and parts are also used Music Picks in popular music and jazz, particularly in large ensembles such as jazz &amp;quot;big bands.&amp;quot;
In popular music, guitarists Music Picks and electric bass players Music Picks often read music notated in tablature, Music Picks which indicates the location of the notes to be played Music Picks on the instrument using a diagram of the guitar or bass fingerboard. Tabulature was Music Picks also used in the Baroque era Music Picks to notate music for the lute, Music Picks a stringed, fretted Music Picks instrument.
Notated Music Picks music is produced as sheet music. To perform music from Music Picks notation requires an understanding of both the musical style and the performance practice &lt;b&gt;Music Picks&lt;/b&gt; that is associated with a &lt;u&gt;Music Picks&lt;/u&gt; piece &lt;b&gt;Music Picks&lt;/b&gt; of music or genre.
Improvisation is the creation of spontaneous music. Improvisation is often considered an act of instantaneous composition by composers, where compositional techniques are employed Music Picks with or without preparation.
Music theory encompasses the nature and mechanics of music. It often involves identifying &lt;h2&gt;Music Picks&lt;/h2&gt; patterns that govern composers&amp;#39; techniques. In a more detailed sense, music theory (in the western system) also distills Music Picks and analyzes the elements of music Music Picks � rhythm, harmony (harmonic function), melody, structure, and texture. People who study &lt;a href="http://www.google.com.au/notebook/public/01383874927958102236/BDRJ6SgoQxuDyo8oj"&gt;Alexander Street Music&lt;/a&gt; these properties are known as music theorists.
The field of music cognition involves &lt;u&gt;Music Picks&lt;/u&gt; the study of many aspects of Music Picks music including how it is processed by listeners. Rather than accepting the Music Picks standard practices of analyzing, composing, and Music Picks performing music &lt;h2&gt;Music Picks&lt;/h2&gt; as a given, much research in music cognition seeks instead to uncover the mental processes that &lt;u&gt;Music Picks&lt;/u&gt; underlie these practices. Also, research in the field seeks to uncover commonalities between the musical traditions of disparate Music Picks cultures and possible cognitive &amp;quot;constraints&amp;quot; that limit these musical systems. Questions &lt;u&gt;Music Picks&lt;/u&gt; regarding musical innateness, and emotional responses to music are also major areas of research in the field.&lt;/td&gt;
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Deaf people can experience music by feeling &lt;h2&gt;Music Picks&lt;/h2&gt; the vibrations in their body, &lt;b&gt;Music Picks&lt;/b&gt; a process which Music Picks can be &lt;i&gt;Music Picks&lt;/i&gt; enhanced if Music Picks the individual holds a resonant, hollow object. A well-known deaf musician is the composer Ludwig van Beethoven, who composed many famous works even after he had completely lost his hearing. Recent examples of deaf musicians include Evelyn &lt;u&gt;Music Picks&lt;/u&gt; Glennie, a &lt;i&gt;Music Picks&lt;/i&gt; highly acclaimed percussionist who has been deaf since age twelve, and Chris Buck, a Music Picks virtuoso violinist who has lost his hearing. This &lt;i&gt;Music Picks&lt;/i&gt; is relevant because it indicates Music Picks that music is a deeper cognitive Music Picks process than unexamined phrases such as, &amp;quot;pleasing to the ear&amp;quot; would suggest. Much research in music cognition seeks to uncover these complex mental processes involved in listening to music, which may seem intuitively &lt;h2&gt;Music Picks&lt;/h2&gt; simple, yet are vastly intricate and complex.The music that Music Picks composers make can &lt;u&gt;Music Picks&lt;/u&gt; be heard through several media; the most Music Picks traditional way is to &lt;a href="http://www.google.com.au/notebook/public/01383874927958102236/BDSdnSgoQncbzo8oj"&gt;Alhambra School Of Music&lt;/a&gt; hear it live, Music Picks in the &lt;b&gt;Music Picks&lt;/b&gt; presence, or as one of the &lt;h2&gt;Music Picks&lt;/h2&gt; musicians. Live music can also be broadcast over the radio, television Music Picks or the internet. Some musical styles &lt;i&gt;Music Picks&lt;/i&gt; focus on producing a sound for a &lt;h2&gt;Music Picks&lt;/h2&gt; performance, while others Music Picks focus on producing &lt;h2&gt;Music Picks&lt;/h2&gt; a recording which mixes together sounds which &lt;h2&gt;Music Picks&lt;/h2&gt; were never played Music Picks &amp;quot;live&amp;quot;. Recording, Music Picks even of styles which are essentially live, often uses the ability to edit and splice to produce recordings Music Picks which are considered better than the actual performance.
As talking pictures emerged in the early 20th century, with their prerecorded musical &lt;a href="http://www.google.com.au/notebook/public/01383874927958102236/BDQVnSwoQ3qX0o8oj"&gt;He S My Brother Music&lt;/a&gt; tracks, an increasing number of moviehouse &lt;i&gt;Music Picks&lt;/i&gt; orchestra musicians found themselves out of work.[6] During the 1920s live musical performances by &lt;i&gt;Music Picks&lt;/i&gt; orchestras, pianists, and theater organists &lt;a href="http://www.google.com.au/notebook/public/01383874927958102236/BDQUbSgoQiYT1o8oj"&gt;Live Music Flyer&lt;/a&gt; were common at first-run theaters[7] With the coming of the talking motion pictures, those featured performances were largely eliminated. The AFM took out newspaper advertisements protesting the replacement of live musicians Music Picks with mechanical playing devices. One 1929 ad that appeared in the Pittsburgh Press features an image of a can labeled &amp;quot;Canned Music / Big Noise Brand / Guaranteed to Produce No Intellectual or &lt;b&gt;Music Picks&lt;/b&gt; Emotional Reaction Whatever&amp;quot;
Since legislation introduced to help protect performers, composers, publishers Music Picks and producers, including the Audio Music Picks Home Recording Act of 1992 in the United States, and the 1979 revised Berne Convention for the Protection of Literary and Artistic Works in the United Kingdom, recordings and live performances have also Music Picks become more accessible through computers, Music Picks devices and internet in a form Music Picks that is commonly known as music-on-demand.
In many cultures, there &lt;a href="http://www.google.com.au/notebook/public/01383874927958102236/BDRJ6SgoQlcP1o8oj"&gt;Cultural Music&lt;/a&gt; is less distinction between performing and &lt;a href="http://www.google.com.au/notebook/public/01383874927958102236/BDR-CSgoQ2KH2o8oj"&gt;Muse Music&lt;/a&gt; listening to music, since virtually everyone is Music Picks involved Music Picks in some sort of musical activity, often communal. In industrialised countries, listening to music through a Music Picks recorded &lt;i&gt;Music Picks&lt;/i&gt; form, such as sound recording or watching a music video, became more common than experiencing &lt;h2&gt;Music Picks&lt;/h2&gt; live performance, roughly in the middle of the 20th century.&lt;/td&gt;
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Sometimes, live performances incorporate prerecorded sounds. For example, a Music Picks DJ uses disc records for scratching, and some 20th-century works have a solo for an instrument or voice that is performed along with music that is prerecorded Music Picks onto a &lt;b&gt;Music Picks&lt;/b&gt; tape. Computers &lt;i&gt;Music Picks&lt;/i&gt; and many keyboards can be programmed to Music Picks produce and play MIDI music. Audiences can also become Music Picks performers by participating &lt;b&gt;Music Picks&lt;/b&gt; in Karaoke, an activity &lt;a href="http://www.google.com.au/notebook/public/01383874927958102236/BDQJ-SgoQtID3o8oj"&gt;Black Hole Sun Sheet Music&lt;/a&gt; of Music Picks Japanese origin which Music Picks centres around a device that plays voice-eliminated versions of well-known songs. Most karaoke machines also have video screens Music Picks that show lyrics to Music Picks songs being performed; performers can Music Picks follow the lyrics as they sing over the instrumental tracks.
The advent of the Internet Music Picks has transformed the experience of music, partly through the increased ease of access to music and the increased choice. Chris Anderson, in his book The Long Tail: Why the future of business is selling less of more, suggests that while the economic model of supply and demand describes scarcity, the Internet retail model is based &lt;b&gt;Music Picks&lt;/b&gt; on abundance. Digital storage costs are low, so a company can afford to make its whole inventory available online, giving customers as much choice as possible. It has thus become economically viable to offer products that &lt;b&gt;Music Picks&lt;/b&gt; very few people are interested in. Consumers&amp;#39; growing awareness Music Picks of their increased choice results in a closer association between listening tastes and social identity, and the creation Music Picks of &lt;a href="http://www.google.com.au/notebook/public/01383874927958102236/BDQE8SgoQq_r3o8oj"&gt;Bellingham Music Festival&lt;/a&gt; thousands of niche markets.
Another effect of the Internet arises with online communities like Youtube and Myspace. Myspace has made social networking with other musicians easier, and greatly facilitates the distribution of &lt;i&gt;Music Picks&lt;/i&gt; one&amp;#39;s music. Youtube also has Music Picks a large community of Music Picks both amateur and professional musicians who post videos and comments. Professional musicians also use Youtube as Music Picks a free Music Picks publisher of promotional material.
Youtube users, Music Picks for Music Picks example, no longer only download and listen to mp3s, but also actively create their own. According to &lt;u&gt;Music Picks&lt;/u&gt; Tapscott and Williams, there has been a shift from a traditional consumer role to what they call a &amp;quot;prosumer&amp;quot; role, a consumer who both creates and consumes. Manifestations of this in music include the Music Picks production of mashes, remixes, and music videos by fans.&lt;/td&gt;
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