Radio Music Blues Electric Modern! Radio Music Blues Electr...

Wed, 24 Sep 2008 09:53:41 +0000

Radio Music Blues Electric Modern!

Radio Music Blues Electric Modern	Radio Music Blues Electric Modern
musical material, or composition, as held Radio Music Blues Electric Modern in western classical music. Even when music is notated precisely, there are still many decisions that a performer has to Radio Music Blues Electric Modern make. Radio Music Blues Electric Modern The process Radio Music Blues Electric Modern of a performer deciding how to perform music that has been previously composed and notated is termed interpretation. Different performers' Radio Music Blues Electric Modern interpretations of the same music can vary widely. Composers and song writers who present their own music are interpreting, just as much as those who perform the music Radio Music Blues Electric Modern of others or folk music. The standard body of choices and techniques present at a given time Radio Music Blues Electric Modern and a given place is referred to as performance practice, where Radio Music Blues Electric Modern as interpretation Radio Music Blues Electric Modern is Radio Music Blues Electric Modern generally used to mean either individual choices of a performer, or an aspect of music which is not clear, and therefore has a "standard" interpretation. In some musical genres, such Radio Music Blues Electric Modern as jazz and blues, even more freedom is given Radio Music Blues Electric Modern to Symphonette Music Horror Cd the performer to engage in improvisation on Radio Music Blues Electric Modern a basic melodic, harmonic, or rhythmic framework. Radio Music Blues Electric Modern The greatest latitude is given to the performer in Radio Music Blues Electric Modern a style of performing Radio Music Blues Electric Modern called free improvisation, Radio Music Blues Electric Modern which Radio Music Blues Electric Modern is material that is spontaneously "thought of" (imagined) while being performed, not preconceived. According to the analysis of Georgiana Costescu,[citation needed] improvised music usually follows Radio Music Blues Electric Modern stylistic or genre conventions and even "fully composed" includes some freely chosen material. Composition does Radio Music Blues Electric Modern not always mean Radio Music Blues Electric Modern the use of notation, or the known Radio Music Blues Electric Modern sole authorship of one Radio Music Blues Electric Modern individual. Music can also be determined Radio Music Blues Electric Modern by describing a "process" Radio Music Blues Electric Modern which may create musical sounds; Radio Music Blues Electric Modern examples of this range from wind chimes, through computer programs which select sounds. Music which contains elements selected by chance is called Aleatoric music, and is associated with such composers as John Cage, Morton Feldman, and Witold Lutoslawski. Musical composition is a term that describes the composition of a piece of music. Methods of composition vary widely from one composer to another, however in analysing music all forms � spontaneous, Radio Music Blues Electric Modern trained, or untrained � are built from elements Radio Music Blues Electric Modern comprising a musical piece. Music can be composed for repeated performance or it can be improvised: composed on the spot. The Radio Music Blues Electric Modern music Radio Music Blues Electric Modern can be performed entirely from memory, from a Radio Music Blues Electric Modern written system of musical notation, or some Radio Music Blues Electric Modern combination of both. Study of composition has traditionally been dominated by examination of Radio Music Blues Electric Modern methods and practice Radio Music Blues Electric Modern of Western classical music, Radio Music Blues Electric Modern but the definition of composition is broad enough to include spontaneously improvised works like those of free jazz performers and African drummers. What is important in understanding the composition of a piece is singling out its elements. An understanding of music's formal elements can be helpful in deciphering exactly how a piece is constructed. A universal Radio Music Blues Electric Modern element of music is how sounds occur in time, which is referred to as the rhythm of Radio Music Blues Electric Modern a piece Radio Music Blues Electric Modern of music. When a piece appears to have a changing Radio Music Blues Electric Modern time-feel, it is Radio Music Blues Electric Modern considered Radio Music Blues Electric Modern to be in rubato time, an Radio Music Blues Electric Modern Italian expression that indicates that the tempo of the piece changes to suit the expressive intent of the performer. Even random placement of random Radio Music Blues Electric Modern sounds, which occurs in musical montage, occurs within some kind of time, and thus Radio Music Blues Electric Modern employs time as a Radio Music Blues Electric Modern musical element. Notation is the Radio Music Blues Electric Modern written expression of music Radio Music Blues Electric Modern notes and rhythms on paper Radio Music Blues Electric Modern using symbols. When music is written down, the pitches and rhythm of the music is notated, along with instructions on how to perform the music. The study of how to read notation involves music Radio Music Blues Electric Modern theory, harmony, the study of performance practice, and in some cases an understanding of historical performance methods. Written notation varies with style and period of music. In Western Art music, the most common types of written notation are scores, which include all the music parts of an ensemble piece, and parts, which Radio Music Blues Electric Modern are the music notation for the individual performers or singers. In popular music, jazz, and blues, the standard musical Radio Music Blues Electric Modern notation is Radio Music Blues Electric Modern the lead sheet, which notates the melody, chords, lyrics (if it is a vocal piece), and structure of the music. Scores and parts are also used in popular music and jazz, particularly Radio Music Blues Electric Modern in large ensembles such as jazz "big bands." In popular music, guitarists and electric bass players often read music notated in tablature, which indicates the location of the notes to be played on the instrument using a diagram of the Radio Music Blues Electric Modern guitar or bass fingerboard. Tabulature was also used in the Baroque era to notate music for Radio Music Blues Electric Modern the lute, a stringed, fretted instrument. Notated music is produced as sheet music. To perform music Radio Music Blues Electric Modern from notation requires an understanding of both the musical style and the performance practice that is associated with a piece of music or genre. Improvisation is Radio Music Blues Electric Modern the creation of spontaneous music. Improvisation is often considered an act of instantaneous composition by composers, where compositional techniques are Radio Music Blues Electric Modern employed with or without Radio Music Blues Electric Modern preparation. Music theory encompasses the nature and mechanics of music. It often Radio Music Blues Electric Modern involves identifying patterns that govern composers' techniques. In Radio Music Blues Electric Modern a Radio Music Blues Electric Modern more detailed sense, music Artist By Music Genre theory (in Radio Music Blues Electric Modern the western system) also distills and analyzes the elements of music � rhythm, harmony (harmonic function), melody, structure, and texture. People who study these Radio Music Blues Electric Modern properties are Radio Music Blues Electric Modern known as music theorists. The field of music cognition involves the study Radio Music Blues Electric Modern of many Radio Music Blues Electric Modern aspects of music including how it is processed by listeners. Rather than accepting the standard practices of analyzing, composing, and Radio Music Blues Electric Modern performing music as a Radio Music Blues Electric Modern given, much research in music cognition seeks instead to uncover Radio Music Blues Electric Modern the mental processes that underlie these practices. Also, research in the field seeks to uncover commonalities between the musical traditions of disparate cultures and possible cognitive "constraints" that limit these musical systems. Questions regarding musical innateness, and emotional responses to music are also Radio Music Blues Electric Modern major areas of research in the field.	Deaf people Radio Music Blues Electric Modern can Radio Music Blues Electric Modern experience music by feeling the vibrations in their body, a process which can be enhanced if the individual Radio Music Blues Electric Modern holds Radio Music Blues Electric Modern a resonant, hollow Radio Music Blues Electric Modern object. Radio Music Blues Electric Modern A Radio Music Blues Electric Modern well-known deaf musician is the composer Ludwig van Beethoven, who composed many famous works even after Radio Music Blues Electric Modern he had completely lost his hearing. Recent examples of deaf musicians include Evelyn Glennie, a highly Radio Music Blues Electric Modern acclaimed percussionist who has been deaf since age twelve, and Radio Music Blues Electric Modern Chris Buck, a virtuoso violinist who has lost his hearing. Radio Music Blues Electric Modern This is relevant because it indicates that music is a deeper cognitive process than unexamined phrases such as, "pleasing to the ear" would suggest. Much Radio Music Blues Electric Modern research in music cognition seeks to uncover these Radio Music Blues Electric Modern complex Radio Music Blues Electric Modern mental processes involved in listening to music, Christopher Walken Music Video which may seem intuitively simple, yet are Radio Music Blues Electric Modern vastly intricate and complex.The music that composers make can be heard through several media; the most traditional way is to hear it live, in the presence, or as one Radio Music Blues Electric Modern of the musicians. Live music can also be broadcast over the radio, television or the internet. Some musical styles focus on producing a sound for a performance, while others focus Radio Music Blues Electric Modern on producing a recording which mixes together sounds Radio Music Blues Electric Modern which were never played "live". Recording, even of styles which are essentially Radio Music Blues Electric Modern live, often uses the Radio Music Blues Electric Modern ability to edit and splice to produce recordings Radio Music Blues Electric Modern which are considered better than Radio Music Blues Electric Modern the actual performance. As talking pictures Radio Music Blues Electric Modern emerged in the early 20th century, with their prerecorded musical tracks, an increasing number of moviehouse orchestra musicians found themselves out of work.[6] During the 1920s live musical performances by orchestras, pianists, and theater organists were common at first-run theaters[7] With the coming of the Radio Music Blues Electric Modern talking motion pictures, those featured performances were largely eliminated. Radio Music Blues Electric Modern The AFM took out newspaper advertisements protesting the replacement of live musicians with mechanical playing devices. One 1929 ad that appeared in the Pittsburgh Press features an Radio Music Blues Electric Modern image of a can labeled "Canned Music / Big Noise Radio Music Blues Electric Modern Brand / Radio Music Blues Electric Modern Guaranteed to Produce No Intellectual or Radio Music Blues Electric Modern Emotional Reaction Whatever" Since legislation introduced to Radio Music Blues Electric Modern help protect performers, composers, publishers and producers, including the Audio Home Recording Act of 1992 in the United States, and the 1979 revised Berne Convention for the Protection of Literary and Artistic Works in Radio Music Blues Electric Modern the United Kingdom, recordings and live performances have also become more Loan Marketing Housing Property Music Hosting accessible through Radio Music Blues Electric Modern computers, devices and internet Radio Music Blues Electric Modern in a form that is commonly known as music-on-demand. In many cultures, there is less distinction between performing and listening to music, since virtually everyone is involved in some sort Radio Music Blues Electric Modern of Radio Music Blues Electric Modern musical activity, often communal. In industrialised countries, listening to music through a recorded form, such as sound recording or watching a music video, became more common than experiencing Radio Music Blues Electric Modern live performance, roughly Radio Music Blues Electric Modern in the middle of the 20th Radio Music Blues Electric Modern century. Sometimes, Radio Music Blues Electric Modern live performances Radio Music Blues Electric Modern incorporate prerecorded sounds. For example, a DJ uses disc records for scratching, and some 20th-century works have a Radio Music Blues Electric Modern solo for an instrument or voice that is performed along with music that is prerecorded onto a tape. Computers and many keyboards can be Radio Music Blues Electric Modern programmed to produce and play MIDI music. Radio Music Blues Electric Modern Audiences can Words And Music Wheeling Wv also become performers by participating in Karaoke, an Radio Music Blues Electric Modern activity of Japanese origin which centres around Radio Music Blues Electric Modern a device that plays voice-eliminated versions of well-known songs. Most karaoke machines also have video screens Radio Music Blues Electric Modern that show lyrics Radio Music Blues Electric Modern to songs being performed; performers can follow the lyrics Radio Music Blues Electric Modern as they sing over the instrumental tracks. The advent of the Internet has transformed the Radio Music Blues Electric Modern experience of music, partly through the increased ease of access to music and the increased choice. Chris Anderson, in his book Radio Music Blues Electric Modern The Long Tail: Why the Radio Music Blues Electric Modern future of business is Radio Music Blues Electric Modern selling less of more, suggests Radio Music Blues Electric Modern that while the economic model of supply Radio Music Blues Electric Modern and demand describes scarcity, the Internet retail model is based on abundance. Digital storage costs are low, so a company can Radio Music Blues Electric Modern afford to make its whole inventory available online, giving customers as much choice as possible. It has thus become Radio Music Blues Electric Modern economically Radio Music Blues Electric Modern viable to offer products that very few people are interested Software To Make Music Instrumental in. Consumers' Radio Music Blues Electric Modern growing awareness of their increased choice results in a closer association between listening tastes and social identity, Radio Music Blues Electric Modern and Yahoo Music Download the Radio Music Blues Electric Modern creation of thousands of Radio Music Blues Electric Modern niche markets. Another effect of the Internet arises with online communities like Youtube Radio Music Blues Electric Modern and Myspace. Myspace has made social networking with Radio Music Blues Electric Modern other musicians easier, and greatly facilitates the distribution of one's music. Youtube also has a large community of both amateur and professional musicians who post videos and comments. Professional musicians also use Youtube as a free publisher of promotional material. Youtube users, for example, no longer Radio Music Blues Electric Modern only download and listen Radio Music Blues Electric Modern to mp3s, but Radio Music Blues Electric Modern also actively create Radio Music Blues Electric Modern their own. According to Tapscott and Williams, there has been a shift from a traditional consumer role to what they call a "prosumer" role, Radio Music Blues Electric Modern a consumer who both creates and consumes. Manifestations of this in music include the production of mashes, remixes, and music videos by fans.

musical material, or composition, as held Radio Music Blues Electric Modern in western classical music. Even when music is notated precisely, there are still many decisions that a performer has to

Radio Music Blues Electric Modern

make. Radio Music Blues Electric Modern The process Radio Music Blues Electric Modern of a performer deciding how to perform music that has been previously composed and notated is termed interpretation. Different performers' Radio Music Blues Electric Modern interpretations of the same music can vary widely. Composers and song writers who present their own music are interpreting, just as much as those who perform the music Radio Music Blues Electric Modern of others or folk music. The standard body of choices and techniques present at a given time Radio Music Blues Electric Modern and a given place is referred to as performance practice, where Radio Music Blues Electric Modern as interpretation Radio Music Blues Electric Modern is Radio Music Blues Electric Modern generally used to mean either individual choices of a performer, or an aspect of music which is not clear, and therefore has a "standard" interpretation. In some musical genres, such Radio Music Blues Electric Modern as jazz and blues, even more freedom is given Radio Music Blues Electric Modern to Symphonette Music Horror Cd the performer to engage in improvisation on Radio Music Blues Electric Modern a basic melodic, harmonic, or rhythmic framework. Radio Music Blues Electric Modern The greatest latitude is given to the performer in Radio Music Blues Electric Modern a style of performing Radio Music Blues Electric Modern called free improvisation, Radio Music Blues Electric Modern which Radio Music Blues Electric Modern is material that is spontaneously "thought of" (imagined) while being performed, not preconceived. According to the analysis of Georgiana Costescu,[citation needed] improvised music usually follows

Radio Music Blues Electric Modern

stylistic or genre conventions and even "fully composed" includes some freely chosen material. Composition does Radio Music Blues Electric Modern not always mean Radio Music Blues Electric Modern the use of notation, or the known Radio Music Blues Electric Modern sole authorship of one

Radio Music Blues Electric Modern

individual. Music can also be determined Radio Music Blues Electric Modern by describing a "process" Radio Music Blues Electric Modern which may create musical sounds; Radio Music Blues Electric Modern examples of this range from wind chimes, through computer programs which select sounds. Music which contains elements selected by chance is called Aleatoric music, and is associated with such composers as John Cage, Morton Feldman, and Witold Lutoslawski. Musical composition is a term that describes the composition of a piece of music. Methods of composition vary widely from one composer to another, however in analysing music all forms � spontaneous, Radio Music Blues Electric Modern trained, or untrained � are built from elements Radio Music Blues Electric Modern comprising a musical piece. Music can be composed for repeated performance or it can be improvised: composed on the spot. The Radio Music Blues Electric Modern music Radio Music Blues Electric Modern can be performed entirely from memory, from a Radio Music Blues Electric Modern written system of musical notation, or some Radio Music Blues Electric Modern combination of both. Study of composition has traditionally been dominated by examination of Radio Music Blues Electric Modern methods and practice Radio Music Blues Electric Modern of Western classical music, Radio Music Blues Electric Modern but the definition of composition is broad enough to include spontaneously improvised works like those of free jazz performers and African drummers. What is important in understanding the composition of a piece is singling out its elements. An understanding of music's formal elements can be helpful in deciphering exactly how a piece is constructed. A universal Radio Music Blues Electric Modern element of music is how sounds occur in time, which is referred to as the rhythm of Radio Music Blues Electric Modern a piece Radio Music Blues Electric Modern of music. When a piece appears to have a changing Radio Music Blues Electric Modern time-feel, it is Radio Music Blues Electric Modern considered Radio Music Blues Electric Modern to be in rubato time, an Radio Music Blues Electric Modern Italian expression that indicates that the tempo of the piece changes to suit the expressive intent of the performer. Even random placement of random Radio Music Blues Electric Modern sounds, which occurs in musical montage, occurs within some kind of time, and thus

Radio Music Blues Electric Modern

employs time as a Radio Music Blues Electric Modern musical element. Notation is the Radio Music Blues Electric Modern written expression of music Radio Music Blues Electric Modern notes and rhythms on paper Radio Music Blues Electric Modern using symbols. When music is written down, the pitches and rhythm of the music is notated, along with instructions on how to perform the music. The study of how to read notation involves music Radio Music Blues Electric Modern theory, harmony, the study of performance practice, and in some cases an understanding of historical performance methods. Written notation varies with style and period of music. In Western Art music, the most common types of written notation are scores, which include all the music parts of an ensemble piece, and parts, which Radio Music Blues Electric Modern are the music notation for the individual performers or singers. In popular music, jazz, and blues, the standard musical Radio Music Blues Electric Modern notation is

Radio Music Blues Electric Modern

the lead sheet, which notates the melody, chords, lyrics (if it is a vocal piece), and structure of the music. Scores and parts are also used in popular music and jazz, particularly Radio Music Blues Electric Modern in large ensembles such as jazz "big bands." In popular music, guitarists and electric bass players often read music notated in tablature, which indicates the location of the notes to be played on the instrument using a diagram of the

Radio Music Blues Electric Modern

guitar or bass fingerboard. Tabulature was also used in the Baroque era to notate music for Radio Music Blues Electric Modern the lute, a stringed, fretted instrument. Notated music is produced as sheet music. To perform music Radio Music Blues Electric Modern from notation requires an understanding of both the musical style and the performance practice that is associated with a piece of music or genre. Improvisation is Radio Music Blues Electric Modern the creation of spontaneous music. Improvisation is often considered an act of instantaneous composition by composers, where compositional techniques are

Radio Music Blues Electric Modern

employed with or without Radio Music Blues Electric Modern preparation. Music theory encompasses the nature and mechanics of music. It often Radio Music Blues Electric Modern involves identifying patterns that govern composers' techniques. In Radio Music Blues Electric Modern a Radio Music Blues Electric Modern more detailed sense, music Artist By Music Genre theory (in Radio Music Blues Electric Modern the western system) also distills and analyzes the elements of music � rhythm, harmony (harmonic function), melody, structure, and texture. People who study these Radio Music Blues Electric Modern properties are

Radio Music Blues Electric Modern

known as music theorists. The field of music cognition involves the study Radio Music Blues Electric Modern of many Radio Music Blues Electric Modern aspects of music including how it is processed by listeners. Rather than accepting the standard practices of analyzing, composing, and Radio Music Blues Electric Modern performing music as a Radio Music Blues Electric Modern given, much research in music cognition seeks instead to uncover Radio Music Blues Electric Modern the mental processes that underlie these practices. Also, research in the field seeks to uncover commonalities between the musical traditions of disparate cultures and possible cognitive "constraints" that limit these musical systems. Questions regarding musical innateness, and emotional responses to music are also

Radio Music Blues Electric Modern

major areas of research in the field.

Deaf people Radio Music Blues Electric Modern can

Radio Music Blues Electric Modern

experience music by feeling the vibrations in their body, a process which can be enhanced if the individual Radio Music Blues Electric Modern holds Radio Music Blues Electric Modern a resonant, hollow Radio Music Blues Electric Modern object. Radio Music Blues Electric Modern A Radio Music Blues Electric Modern well-known deaf musician is the composer Ludwig van Beethoven, who composed many famous works even after Radio Music Blues Electric Modern he had completely lost his hearing. Recent examples of deaf musicians include Evelyn Glennie, a highly Radio Music Blues Electric Modern acclaimed percussionist who has been deaf since age twelve, and Radio Music Blues Electric Modern Chris Buck, a virtuoso violinist who has lost his hearing.

Radio Music Blues Electric Modern

This is relevant because it indicates that music is a deeper cognitive process than unexamined phrases such as, "pleasing to the ear" would suggest. Much Radio Music Blues Electric Modern research in music cognition seeks to uncover these Radio Music Blues Electric Modern complex Radio Music Blues Electric Modern mental processes involved in listening to music, Christopher Walken Music Video which may seem intuitively simple, yet are Radio Music Blues Electric Modern vastly intricate and complex.The music that composers make can be heard through several media; the most traditional way is to hear it live, in the presence, or as one Radio Music Blues Electric Modern of the musicians. Live music can also be broadcast over the radio, television or the internet. Some musical styles focus on producing a sound for a performance, while others focus Radio Music Blues Electric Modern on producing a recording which mixes together sounds Radio Music Blues Electric Modern which were never played "live". Recording, even of styles which are essentially Radio Music Blues Electric Modern live, often uses the Radio Music Blues Electric Modern ability to edit and splice to produce recordings

Radio Music Blues Electric Modern

which are considered better than

Radio Music Blues Electric Modern

the actual performance. As talking pictures Radio Music Blues Electric Modern emerged in the early 20th century, with their prerecorded musical tracks, an increasing number of moviehouse orchestra musicians found themselves out of work.[6] During the 1920s live musical performances by orchestras, pianists, and theater organists were common at first-run theaters[7] With the coming of the Radio Music Blues Electric Modern talking motion pictures, those featured performances were largely eliminated. Radio Music Blues Electric Modern The AFM took out newspaper advertisements protesting the replacement of live musicians with mechanical playing devices. One 1929 ad that appeared in the Pittsburgh Press features an Radio Music Blues Electric Modern image of a can labeled "Canned Music / Big Noise Radio Music Blues Electric Modern Brand / Radio Music Blues Electric Modern Guaranteed to Produce No Intellectual or Radio Music Blues Electric Modern Emotional Reaction Whatever" Since legislation introduced to Radio Music Blues Electric Modern help protect performers, composers, publishers and producers, including the Audio Home Recording Act of 1992 in the United States, and the 1979 revised Berne Convention for the Protection of Literary and Artistic Works in

Radio Music Blues Electric Modern

the United Kingdom, recordings and live performances have also become more Loan Marketing Housing Property Music Hosting accessible through Radio Music Blues Electric Modern computers, devices and internet Radio Music Blues Electric Modern in a form that is commonly known as music-on-demand. In many cultures, there is less distinction between performing and listening to music, since virtually everyone is involved in some sort Radio Music Blues Electric Modern of Radio Music Blues Electric Modern musical activity, often communal. In industrialised countries, listening to music through a recorded form, such as sound recording or watching a music video, became more common than experiencing Radio Music Blues Electric Modern live performance, roughly

Radio Music Blues Electric Modern

in the middle of the 20th

Radio Music Blues Electric Modern

century. Sometimes, Radio Music Blues Electric Modern live performances Radio Music Blues Electric Modern incorporate prerecorded sounds. For example, a DJ uses disc records for scratching, and some 20th-century works have a

Radio Music Blues Electric Modern

solo for an instrument or voice that is performed along with music that is prerecorded onto a tape. Computers and many keyboards can be Radio Music Blues Electric Modern programmed to produce and play MIDI music. Radio Music Blues Electric Modern Audiences can Words And Music Wheeling Wv also become performers by participating in Karaoke, an Radio Music Blues Electric Modern activity of Japanese origin which centres around Radio Music Blues Electric Modern a device that plays voice-eliminated versions of well-known songs. Most karaoke machines also have video screens Radio Music Blues Electric Modern that show lyrics Radio Music Blues Electric Modern to songs being performed; performers can follow the lyrics Radio Music Blues Electric Modern as they sing over the instrumental tracks. The advent of the Internet has transformed the Radio Music Blues Electric Modern experience of music, partly through the increased ease of access to music and the increased choice. Chris Anderson, in his book Radio Music Blues Electric Modern The Long Tail: Why the Radio Music Blues Electric Modern future of business is Radio Music Blues Electric Modern selling less of more, suggests Radio Music Blues Electric Modern that while the economic model of supply Radio Music Blues Electric Modern and demand describes scarcity, the Internet retail model is based on abundance. Digital storage costs are low, so a company can

Radio Music Blues Electric Modern

afford to make its whole inventory available online, giving customers as much choice as possible. It has thus become Radio Music Blues Electric Modern economically Radio Music Blues Electric Modern viable to offer products that very few people are interested Software To Make Music Instrumental in. Consumers' Radio Music Blues Electric Modern growing awareness of their increased choice results in a closer association between listening tastes and social identity, Radio Music Blues Electric Modern and Yahoo Music Download the

Radio Music Blues Electric Modern

creation of thousands of Radio Music Blues Electric Modern niche markets. Another effect of the Internet arises with online communities like Youtube Radio Music Blues Electric Modern and Myspace. Myspace has made social networking with Radio Music Blues Electric Modern other musicians easier, and greatly facilitates the distribution of one's music. Youtube also has a large community of both amateur and professional musicians who post videos and comments. Professional musicians also use Youtube as a free publisher of promotional material. Youtube users, for example, no longer Radio Music Blues Electric Modern only download and listen Radio Music Blues Electric Modern to mp3s, but Radio Music Blues Electric Modern also actively create Radio Music Blues Electric Modern their own. According to Tapscott and Williams, there has been a shift from a traditional consumer role to what they call a "prosumer" role, Radio Music Blues Electric Modern a consumer who both creates and consumes. Manifestations of this in music include the production of mashes, remixes, and music videos by fans.